A Quote by Svetlana Alexievich

Being in the public eye is easy for me because I come from a family of four generations of teachers, so I'm used to being around books and discussions. But to write, I very much need to be alone.
I don't know if anyone has noticed but I only ever write about one thing: being alone. The fear of being alone, the desire to not be alone, the attempts we make to find our person, to keep our person, to convince our person to not leave us alone, the joy of being with our person and thus no longer alone, the devastation of being left alone. The need to hear the words: You are not alone.
I think it's very, very, very hard to get a book published. I never want to be one of those teachers that say, 'don't do this, ' because how sad would the world be if people didn't create art and write? But, it's not an easy journey being a writer.
At school in the 1970s, no one cared about bullying. I spent the first four years being the apple of the teachers' eye and being bullied for it.
I write four books a year. I'm very fortunate that I write quickly; around 3,500 words a day. Being strict about delineating my writing time and personal life, as well as keeping distractions at bay, is the only way I can accomplish this.
I was single for a long time and felt very much alone in the world, and talk of family values upset me very much at that phase in my life, because I used to think: 'What about people like me?
I was single for a long time and felt very much alone in the world, and talk of family values upset me very much at that phase in my life, because I used to think: 'What about people like me?'
I've always wanted to be a poet at the beginning. I would look at my grandparents' books and my parents' books. And in my family, a typical aspirational Jewish family, being a writer was very much exalted, and it seemed impossible to me, that I could ever do something like that.
My problem is, whether it's for emotion or for the talents that a character has to have in a role, I find it very difficult to not take on a challenge. I need to say, "Okay, enough, take the easy road." But the easy road for me is not - it might just come out coincidentally. I wouldn't ever choose a movie because it's easy. I might choose a movie because I feel like being funny, or I feel like being able to do something that is perhaps dramatic, but to a lesser degree. Because I like switching it up, basically, not because I would take the easier road.
We have three generations at home, including my father-in-law. I keep a very low profile, and a lot of things I do are very much with the family in mind. I have actually made films with the family around me.
In London I'm not seen in public. I don't go to award ceremonies or gatherings. I just don't go because I like my privacy. I like being with my family and I like being in their company. I work very hard and I don't have much time so I just want to be with my family or in the English countryside. I don't take holidays.
I had the option of building a career in the U.S. Many of my friends who went at the time did not come back, but for me, building the family business and being with family was worth it. I became a general manager within four months, as I used my education to improve productivity and output.
You have as much computing power in your iPhone as was available at the time of the Apollo missions. But what is it being used for? It’s being used to throw angry birds at pigs; it’s being used to send pictures of your cat to people halfway around the world; it’s being used to check in as the virtual mayor of a virtual nowhere while you’re riding a subway from the nineteenth century.
I think that because I struggled and did get very bullied, that definitely made me learn how to be funny and let things roll off and be able to laugh, and I think that has definitely helped me when it comes to being in the public eye with 'Gay of Thrones' and 'Queer Eye.'
It's amazing how fast generations lose sight of other generations. One of the first things the young composers who come to work with me say is that they want to write music people will like, instead of gaining their credentials by being rejected by the audience.
To me the biggest irony of this lifetime that I'm living is that for someone who thrives in the public eye in the creative ways that I do, I actually don't enjoy being in the public eye.
It's a little strange when part of your family is in the public eye, and you're being put into a box that you're not necessarily in. That's when it starts to feel a bit odd: When you're being told who you are, but it's incorrect.
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