A Quote by Swami Vivekananda
Let me die fighting. Two years of physical suffering have taken from me twenty years of life. But the soul changes not, does it? It is there, the same madcap - Atman - mad upon one idea, intent and intense.
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There were nineteen years between my grandparents, and I was in a relationship for five years from the age of fifteen to twenty with a man who was thirteen years older than me who remains one of the loves of my life, and he passed away when I was twenty years old.
If someone were to tell me I had twenty years left, and ask me how I'd like to spend them, I'd reply 'Give me two hours a day of activity, and I'll take the other twenty-two in dreams.'
A lack of resources may slow you down, but don't let it make you throw away a big idea. Give God five years, ten years, fifteen years, twenty years, twenty-five years, thirty years, forty years, or more. Give God all the time He needs to bring the resources to you!
Without a doubt the sense of beauty does not lie determined in the concreteness of an individual beautiful thing or person. Rather its purpose is much more the enchantment of the soul, for there is nothing physical that is not made with the intent of affecting the soul, and there is no soul that does not intend to dazzle everything physical with its sensations.
I've had, what, two years? Probably five good years. Before that I had twenty years of uncertainty and suffering and ego destruction and poverty. All those things. That'll always outweigh the good times.
If it is true that one gets used to suffering, how is it that as the years go one always suffers more? No, they are not mad, those people who amuse themselves, enjoy life, travel, make love, fight they are not mad. We should like to do the same ourselves.
It's also hard for me to understand growing up not knowing where I came from. I searched for my parents - I started when I was twenty; I found both my mother and my father when I was twenty-two. Trying to catch up on twenty-two years that we can never get back, trying to reconcile that - that's a hard thing for me.
My idea in Half the Kingdom was simply, or not so simply perhaps, that medical science has given us twenty extra years of life. Those twenty extra years - one is grateful for them, one is happy, but they also give you ten or twenty years more of losing your faculties. That is actually the origin of my notion. Once you live longer than you're supposed to live, things go dreadfully wrong. But nevertheless, you're not dead.
The word Atman (Soul) means the "breath of life". Atman is the principle of man's life, the Soul that pervades his being, his breath, his intellect and transcends them. Atman is what remains when everything that is not the self is eliminated. It is the unborn and immortal element in man, which is not to be confused with body, mind or intellect.
It took me twenty years to discover painting: twenty years looking at nature, and above all, going to the Louvre.
'Beyond the Lights' took incredible fight to get made. Four years of writing and two years of overcoming 'no.' Every studio balked. Twice. But I kept fighting. What gave me the courage was 'Love & Basketball.' Every studio turned down that film, too. But I never gave up because I believed in it with my whole heart and soul.
My work is really the accumulation of these different moods that I've had throughout my life and where they've taken me. I start looking back, and I think, I've actually created a life out of all this, out of these changes of mood. They've pushed me through all these years, and I seem to have a semblance of a life, and if I look very carefully, I can see some thematic design to it. There's some continuity.
When you're 20 and you're in acting school and your teachers tell you that 95 percent of actors are unemployed for twenty years, you think it doesn't apply to you. But it does take twenty years to become real, because that's what you have to do to be an interesting actor.
I love the sport but it's definitely taken a toll on me. The first two years after I retired I was in pain and couldn't even sit in a chair for 2 years. 2 years! You want a sport that takes care of you the way you take care of the sport.
Twenty or thirty years ago, in the army, we had a lot of obscure adventures, and years later we tell them at parties, and suddenly we realize that those two very difficult years of our lives have become lumped together into a few episodes that have lodged in our memory in a standardized form, and are always told in a standardized way, in the same words. But in fact that lump of memories has nothing whatsoever to do with our experience of those two years in the army and what it has made of us.
So there's a cloud of rage around me, but being an artist kind of changes that. No matter what you thought coming in, what ignorant thing you believed, you're in show business for two years, you're like, "OK, I was wrong." It's hard to be mad at any particular group of people when you're an artist.
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