A Quote by Swami Vivekananda
As soon as you know the voice and understand what it is, the whole scene changes. The same world which was the ghastly battlefield of maya is now changed into something good and beautiful.
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There is no normal. What my job was a few years ago was completely different than what it is today. As soon as I have it dialed in, the company changes and the team changes and my role changes as a result. What the company needs is always evolving, and I don't get to choose what I want to do as much as I thought I would be now - which is OK. It keeps me in this position of learning new things and keeping me humble. There is always something I don't know, and I'm comfortable with that.
I always want to read the script and know everything and at least understand the context of the world that you're in and why you're there and all that stuff. It's good to know something. I like to know, but I've never been one of these, 'Just show me my stuff,' no, I like to know what the whole picture is so I can understand how I fit into it.
Willa’s big blue eyes, Willa’s dimpled-cheeked smile. Tiffin’s shaggy blond mane, Tiffin’s cheeky grin. Kit’s yells of excitement, Kit’s glow of pride. Maya’s face, Maya’s kisses, Maya’s love. Maya, Maya, Maya . . .
You remember when you were maybe five years old and you went out in the morning and you looked at the day - and it was a very, very beautiful day.
You looked at flowers and they were very beautiful flowers.
Twenty-five years later, you get up in the morning,
you take a look at the flowers - they are wilted.
The day isn't a happy day.
Well, what's changed?
You know they are the same flowers, it's the same world.
Something must have changed.
Well, probably it was you.
The voice is certainly important and you can hear if it's beautiful or not, it's the gods who decide; it's more a question of what you do with the voice, which is the mysterious element. It's the personality behind the voice which makes the artist. The voice is a gift of God, but if you're not able to use this gift, what's left? Nothing but a beautiful voice, without nuance or color.
If the whole world is a battlefield, then the United States is also a battlefield.
That was sheer luck that it [being immersed into folk scene] happened when my voice began to develop. I don't know exactly what would have happened if I hadn't been alive and well and really lively in the Cambridge scene. But (the folk scene) was, and I fell into it absolutely naturally in the little coffee shops, and pretty soon it was Newport and then it was an overwhelming response internationally, actually.
I'm in a wonderful position now because the rise of the whole Houston scene, the scene that we've been doing for years that people really didn't embrace a long time ago and now they're embracing it. It's good to be in the middle of that during the uprising.
It's strange. There's your life. You begin it, feeling that it's something so precious and rare, so beautiful that it's like a sacred treasure. Now it's over, and it doesn't make any difference to anyone, and it isn't that they are indifferent, it's just that they don't know, they don't know what it means, that treasure of mine, and there's something about it that they should understand. I don't understand it myself, but there's something that should be understood by all of us. Only what is it? What?
I sometimes buy albums that I don't like now, but that I know I will like. Coming out was the same thing. In high school, I thought, 'I know I'm going to have to deal with this, but I'm not confident enough now.' But when I finally did, my whole life changed.
We've proven to be quite flexible and adept in the way that we've changed what was the original pattern of air activities into something that's now very focused on the battlefield.
No 'mise en scène' has the right to be repeated, just as no two personalities are ever the same. As soon as a 'mise en scène' turns into a sign, a cliché, a concept however original it may be, then the whole thing - characters, situation, psychology - become schematic and false.
Every profession has changed. Journalism has changed. Medicine has changed. Technology has changed and it evolves. The same is true of football. Free agency has now allowed teams to be a dynasty as they have been before. It is not a great thing for the fans, but it is a good thing for the players.
If you've been around as long as I have, watching the literary scene, then you know that who's in and who's out changes by the year. It's really a very fluid situation that requires that the person who is having the good luck now isn't having it a year or two from now.
I see a flower. It gives me a sensation of the beautiful. I wish to paint it. And as soon as I wish to paint it I see the whole subject - flower - changed. It is now an art problem to resolve.
In an episodic treatment, such as a teleplay is, you have the ability to do what you can do in a novel, which is flash back and flash forward in the same instant, in the same scene, in the same voice.
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