A Quote by Swara Bhaskar

Somewhere, the audience relates to my characters and their vulnerability. I believe they see themselves in me. — © Swara Bhaskar
Somewhere, the audience relates to my characters and their vulnerability. I believe they see themselves in me.
What's most important is to create an atmosphere that's real, providing characters the audience can root for. Once they become emotionally attached, that's the secret in building a show. The audience can see themselves in these characters, and they respond to the stories.
Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see.
Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see
I'm grateful that so many viewers have related to characters I've played. I think many in the audience see themselves in my characters or feel like the characters are similar to their friends or sisters.
When an audience comes to one of my concerts, I hope they'll see themselves, somewhere, in one of the songs.
As a filmmaker, the most dramatic and the most dread-inspiring thing is when the audience can see more than the characters themselves can see.
I always try to keep in mind that while the characters in a farce may find themselves in outrageous dilemmas, and may behave in a way that the audience finds amusing, the characters themselves don't have the consolation of knowing they're in a comedy.
I like characters who have blind spots and are full of themselves, but there also needs to be vulnerability.
I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story.
I love finding the vulnerability in characters. There's truth there. There's beauty in vulnerability.
When an artiste says that, after two heavy films, let me do a light one, somewhere they want to balance it out for the audience, not for themselves.
Men should be able to see themselves in female characters and female strength, just as much as women are able to see themselves in male characters.
People see themselves as the center of the universe and judge everything as it relates to them.
To me, the most important selling point of 'Roswell' was that the audience has to believe in the characters they're watching.
I believe the audience likes to see well-defined characters on screen than just larger-than-life heroes.
There's vulnerability - so I have to make sure the audience is certain that I know what I'm doing. There's vulnerability there because my heart is open, but at the same time I definitely have a lot of "weapons" at my disposal. I have all the language, I have all of the moment - I have all of that to spar with somebody, to take anything on.
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