In the industry, I am judged by what I wear. If I want to be taken seriously, I have to hire a team of stylists. It's an occupational hazard. But it's not as though I am any less of a feminist.
Quoting, like smoking, ... is a dirty habit to which I am devoted. But then ... I am a professor of English literature; it is an occupational hazard.
I didn't want to be taken advantage of and burnt out in the industry. I worked with my family really closely, so I was able to get that respect in the industry. So now I feel that I can let my guard down. People know who I am; I can be myself. I can be more versatile, and I can wear what I want.
I am failing as a woman. I am failing as a feminist. To freely accept the feminist label would not be fair to good feminists. If I am, indeed, a feminist, I am a rather bad one. I am a mess of contradictions.
I feel like women still deal with dressing appropriately for the office. It's by choice - you don't want to sexualize yourself too much. You want to be respected. You want to be taken seriously, and there's certain things in our culture, if you do, if you wear, you won't be taken seriously.
Being pregnant is a very boring six months. I am not particularly maternal. It's an occupational hazard of being a wife.
I struggled to get into any sort of team as a kid, but I struggled along and, though it's amazing how long it has actually taken me, I am finally in the Premiership and to play against my old mates from West Ham, the team I supported as a boy, was unbelievable.
I am surely a feminist filmmaker, but not because I set out to become one, or am trying to make any kind of statement. Rather, it's inherent in the act of expressing myself, as a woman who is deeply alienated from mainstream cinematic structures of seeing. I express myself and am instantly feminist.
I do feel it's crucial that women's opinions be taken equally with men's. But still'I have not been accepted by the American white feminist writers and activists, and frankly I don't care to be, so I am a womanist. I am feisty and I am given to womanish behavior.
I am absolutely not a feminist, I am against stupidity, and if it comes from males or females, it doesn't change anything. If it means that women and men, they are equal, then OK, certainly I am a feminist.
I was always a feminist. My mother was a feminist; my grandmother was a feminist. I always understood women had to fight very hard to do what they wanted to do in the world - that it wasn't an easy choice. But I think the most important part is that we all want the right to be taken seriously as human beings, and to use our talents without reservation, and that's still not possible for women.
I have been villainized because of my identity - I've received nasty blog comments and emails just based on my willingness to identify with feminism by people who clearly don't understand what I value and why I identify as a feminist. Ultimately, I'm less concerned with whether or not people identify as feminist and am more concerned with whether or not people understand what feminism is. If they don't want to identify as a feminist that's fine. I respect people's decision to identify any way they want and expect that same respect in return, although I don't always get it.
Glasses are for the brave. I do not need to pretend that I am sighted. People who need glasses and don't wear them are slightly less treacherous than people who don't need them and do-like every shallow Hollywood star who wants to be taken seriously.
Hazard has conditioned us to live in hazard. All our pleasures are dependent on it. Even though I arrange for a pleasure, and look forward to it, my eventual enjoyment of it is still a matter of hazard. Wherever time passes, there is hazard.
I never worry about people not taking my work seriously as a result of the humor. In the end, the comic's best trick is the illusion that comedy is effortless. That people imagine what he's doing is easy is an occupational hazard.
When I do a film score, I am basically nothing more than a fancy pencil for hire. I don't own any of the music when I am - it belongs to the film company - and likewise, when I am done, even if I come up with something astounding that I may want to revisit... in the world of film composition, you can't do that.
My son is 7 years old. I am 54. It has taken me a great many years to reach that age. I am more respected in the community, I am stronger, I am more intelligent and I think I am better than he is. I don't want to be a pal, I want to be a father.