A Quote by Swara Bhaskar
Once, I had a huge fight on a film set with an actor who threw tea on a spot boy's face. I refused to shoot until he apologised.
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I have had an actor squeeze himself up against me during a shot in a song and whisper in my ear that he was so glad that I was in the film with him. When I threw him off me and refused to speak to him again, he made my experience miserable.
Near the end, she [Marilyn Monroe] was badly treated by Fox Studios, during the 'Let's Make Love' film shoot in 1960, they threw her off the set because she had a cold.
Shooting against greenscreen... my choice of filming is, like, I'd rather shoot on location than shoot on a set, and I'd rather shoot on a set than shoot against greenscreen. You start stripping away the layers of reality, and it becomes a lot less fun to actually film.
Someone once threw me a small, brown, hairy kiwi fruit, and I threw a wastebasket over it until it was dead.
I have never had a pair of knickers sent in the post. I've had jams, lemon drizzle cakes, West Ham football shirts and footballs and books. I've had pillowcases with my face on, tea towels with my face on, face flannels with my face on, towels with my face on.
This act of piss, which can be considered sexual by some, a pleasurable experience, is at the same time total disrespect. I had once asked a friend to do this picture and he totally refused. So I carried the idea around with me for years. When I was invited to do a Honcho shoot, I approached Phillip, who was the barman at The London Apprentice, and fortunately he knew who I was. He had a copy of my first book, and that broke the ice. At the end of the shoot with him, I realized I could ask him to do this picture. I had waited four years to do it.
Tom Arnold and I, we have a huge firefight scene on top of a German tank. I get to shoot 50 caliber rounds. We shoot a helicopter out of the sky. That's the only fight I'm in.
The first thing I did was give up sweet tea because I drank so much. I'd start drinking at lunchtime and wouldn't set it down until I went to bed. When you calculate how much empty calories and how much sugar I was consuming, it was staggering. So I haven't had a glass of sweet tea in three years.
Fight ever on: this earthly stuff If used God’s way will be enough. Face to the firing line o friend Fight out life’s battle to the end. One soldier, when the fight was red, Threw down his broken sword and fled. Another snatched it, won the day, With what his comrade flung away.
When I was a small boy, if we had a problem, we would fight about it with our fists. We wouldn't shoot somebody, killing them or wounding them. That's not hard to do. I would like people to put down the guns. If you have a problem, talk about it or fight about it.
Not only do I look at the playback with the actors, but I look at the on-set assembly footage with the sequences with my actors as well. These are the reasons why I take twice as much time to shoot a film in Korea. Thinking back, I remember on my first ever Korean film, I never used any playback or on-set assembly, so all I had to do was to tell myself it's just like making my first ever Korean-language film. After that, I felt right at home.
I came back to Haiti after the earthquake not to shoot a film, but to help and be a part of the rebuilding process, like all my fellow compatriots. I didn't come to shoot a film, but I became frustrated when I realized that my help was kind of useless. We all felt lost and helpless. And it's out of that frustration that I decided to shoot a film.
I built the film [Boy and the World] this way. I gathered all the tools I usually use such as brushes, color pencils, crayons, watercolors, and everything else I found in my studio, and I put them on top of a table. I had this feeling of freedom and possibility like if I was this boy. I was using the boy's freedom to create this film.
Mammootty came on board unexpectedly. 'Uncle,' which I am co-producing with Sajai Sebastian, was meant to be a low-budget film and we had almost cast another actor in the titular role. But, during the shoot of 'Puthan Panam,' I narrated the film's plot to Mammootty, who liked it and wanted to do the movie.
It's always a challenge to shoot a period film and not have it look like you hit the tea stain button in post.
I am not a star. I am an actor. I have been fighting for years to make people forget that I am just a pretty boy with a beautiful face. It's a hard fight, but I will win it. I want the public to realize that above all I am an actor, a very professional one who loves every minute of being in front of the camera. But one who becomes very miserable the instant the director shouts, 'Cut!'
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