A Quote by Swoosie Kurtz

I keep both of my Tonys on my mantle. They're in front of a mirror so if you look at just the right angle, it looks like I have four! — © Swoosie Kurtz
I keep both of my Tonys on my mantle. They're in front of a mirror so if you look at just the right angle, it looks like I have four!
I keep both of my Tonys on my mantle. Theyre in front of a mirror so if you look at just the right angle, it looks like I have four!
I divorce myself from listeners who aren't tolerant of humor. I did notice universally that, especially when it comes to weight, people look in the mirror and get the angle just right, tell themselves it's all right, and then they go out.
When I'm online and I see a picture I want to draw of anybody or anything, a unique angle of them or just something that looks very drawable, I slide it to my desktop and put it in a folder. It just seems like every picture of Trump is a revelation. Any angle. I didn't know a person could look like that. His facial expressions - he really is a cartoon. He's like an instruction manual of how to caricature someone.
At seventy-four I'm getting minor raves on my looks, but I'm caught in the middle. Who knows what seventy-four looks like? Who cares? But if I'd listened to my friends, I could now lie and say I'm eighty-four. For eighty-four, the way I look is spectacular.
I'm really bad at doing my hair, so the front always looks a little bit off. I think that the front is the most important in terms of the whole look. So, because the front layers just get awkward sometimes, I feel like I have to clip them back.
It's hard to put yourself in front of a camera, in front of the world, when you don't feel like you look the part. I've always had that problem. But I deal with it every day. When I'm interviewing, I'm like, "How do I look? Do I look all right?"
Just look at the back of Donald Trump's head, any angle. There's some angles that his chin is just, what do I mean? I mean he's sculpted out of some kind of pudding, I think. It looks like his face is sort of melting slowly. I should talk because my face is melting quickly. He's some kind of bizarre sculpture. There's no one really who looks like that.
I had a parakeet that used to fly around the house and crash into these huge mirrors my mother put in. Ever heard of this interior design principle, that a mirror makes it seem like you have an entire other room? What kind of jerk walks up to a mirror and goes, Hey look, there's a whole other room in there. There's a guy that looks just like me in there.
I've a full-length triple-panel mirror in which I can see every possible angle, and I spend quite a lot of time in front of it.
I have a really small rear-view mirror in my life. I look at the rear-view mirror for memories and learning experiences, but I've got a big front windshield and I'm looking at right now. I've got so many projects on my plate.
It's kind of like when you look at yourself in the mirror and you say your name. And it gets to a point where none of it seems real. Well, sometimes I can do that, but I don't need an hour in front of a mirror. It just happens very fast, and things start to slip away. And I just open my eyes, and I see nothing. And then I start to breathe really hard trying to see something, but I can't. It doesn't happen all the time, but when it does, it scares me.
Whenever I see a mirror, I just look at myself, or when I see my own reflection, I quickly take a look; I won't lie about that. But when I am in front of the camera, it's just the character, not me.
As long as we remain self-reflective and keep looking at who and what we are, as long as we keep our analysis that way, then there's no freedom. We're just trying clothes on in front of a mirror and admiring them.
In right-angled triangles the square on the side subtending the right angle is equal to the squares on the sides containing the right angle.
Books are like a mirror. If an ass looks in, you can't expect an angel to look out.
What is life but the angle of vision? A man is measured by the angle at which he looks at objects.
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