A Quote by Sy Montgomery
Octopus can fish for prey while deciding what color and pattern to turn, what shape to make their bodies, be on alert for predators and aware how far away their dens are.
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I think people are frustrated in this society, where predators prey upon normal, law-abiding citizens, and you never see justice in the courtroom. In my films, the predators don't get away with it.
It's better to be an octopus than a fish. If an octopus loses a tentacle to a predator, the octopus will survive with seven tentacles left for itself.
The difference between hunting and fishing is that hunters seek their prey while fishermen try to become prey; they do their best to make their lures look attractive and vulnerable so that fish will attack them.
Horses are prey animals, and most of the other animals that I've shot are predators. If you act mellow with predators, they know that they can kill you, so they are cool, but if you work with prey, they think that you're going to kill them at any moment.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
Sometimes on stage I prefer to feel more glamorous, so I'll go all out when it's a stage outfit like sparkly, colorful, and have a certain shape. If someone is watching it from far away they can maybe remember the shape or the color.
In Lords of Rainbow I start out by taking away color from the world, and in the process show color's vital place in our lives. At least I hope that by the end of the book it's a portion of what the reader comes away with - a sense of how much color perception enriches our lives and how its lack can make our sensory experience incomplete.
I put an octopus in aquarium, and it would eat the others. But if you put an octopus in with a school of tiny fish, he might not be able to catch them. That's an archetypal structure: a powerful individual versus the multitude, the crowd. You can relate to that.
If a fish is the movement of water embodied, given shape, then cat is a diagram and pattern of subtle air.
How can you come to understand your life when even the beginning is so complicated: a single cell imprinted with the color of your eyes and the shape of your face the pattern on your palm and the moods that will shadow you through your life. How can you be alive when every choice you make breaks the world into a thousand filaments each careless step branching into long tributaries of alternate lives shuddering outward and outward like sheet lightning.
As a photographer who is constantly in violent, bloody situations where the instinct is to turn away, I am always trying to figure out how to make people not turn away.
To anger female voters in America is to tread on the tiger's tail. Women turn out in huge numbers, and they are well aware of how their bodies work and what they need.
We raise predators by treating children as prey.
Fame is foolish, it is pointless, meaningless. Even if the whole world knows you, how does it make you richer? How does it make your life more blissful? How does it help you to be more understanding, to be more aware? To be more alert, to be more alive?
We split from our common ancestor with the octopus half a billion years ago. And yet, you can make friends with an octopus.
How far we all come. How far we all come away from ourselves. So far, so much between, you can never go home again. You can go home, it's good to go home, but you never really get all the way home again in your life.
...
whatever it was and however good it was, it wasn't what you once had been, and had lost, and could never have again, and once in a while, once in a long time, you remembered, and knew how far you were away, and it hit you hard enough, that little while it lasted, to break your heart.
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