A Quote by Syd Barrett
But I can't find anybody. That's the problem. I don't know
where they are. I mean, I've got an idea that there must be someone to play with. If I was going
to play properly, I should need some really good people.
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I was very lucky once I got started with a career. I happened to get some really good parts to play with some really good people to play with.
You think to yourself, “If one drink feels really good and two feels really, really good, a hundred ought to feel fantastic.” As sane people know, it doesn't work that way. A hundred drinks feels terrible. Bad things happen. But the addict keeps at it, thinking at some point it's going to get good again The point is to not feel what you're feeling. The problem is, you become someone you never thought you would become, and you have no idea how you got there.
I could sing and play as well. I've got some brothers; one of them is the drummer in the band. They're good musicians. I play for fun. They play properly. Music in general, I grew up in a house of musicians. Everybody's life has a soundtrack, I'm sitting here talking to you but there are horns beeping outside. I know I'm in New York. That's an element in the film as well. How strong that sense can be.
Football players have always got a problem, some pain, and in some games, I have had small problems with my knee or some pain, and I played anyway, but people don't know if I have a problem or not. People just know if you score a goal or if you play badly, but they never know if you are well or not.
The problem men seem to have, and women, too, is that they have this very structured idea that we should find a partner and settle down and be, you know, faithful. And yet clearly this is really, really hard for anybody to do!
When I go to see people, I always kind of hope they are going to play some kind of songs I know. So you've got to know your audience. It's kind of something that is a blessing and a curse in a way. You're obligated to play some of that stuff that people know, but I don't think that's all you have to do.
I always just read the play and find a world. That world must honour the play, enhance it, and maybe shine some new light - not satirise or try to reinvent in a way that is placing the idea above the thing. The play is the thing.
I have always said we are going to play well and we going to play badly. And I have not got issues when people criticise as long as we don't play well. That's part and parcel of the game. I love it and that's how it should be.
True, I don't begin with an idea for a play - a thesis, in other words, to construct the play around. But I know a good deal about the nature of the characters. I know a great deal about their environment. And I more or less know what is going to happen in the play.
I mean I don't think it got me interested in acting. I think it might be what makes it so that I can have the idea of the variety of people in the world, different incomes. That helps. When you're going to play someone it's interesting and nice to see experiences that aren't like yours. But there's always the remarkable similarity of all people.
Number two, we're going to play with a lot of effort. Our guys are going to be in such good shape that fatigue is not going to be a problem. We're going to play with full effort from snap to whistle on every play the entire game.
There's never a good time to fire someone. That's not something that anybody is - that's never going to play out well. But at the end of the day, the president has to surround himself with a team that he can trust. Donald Trump is going to surround himself with a team that he thinks is going to represent and secure the United States properly.
There are some actors who can only play themselves, but good actors must really be separated from the people they play.
I feel that when I began writing, I had a need to know more about the play before I got into it. I think that's the way I was thinking. But my actual experience is that the best way to find out what the structure is, is by writing the play out laterally. You just have got to be brave enough to start without knowing where you are going.
When you step out on the court, I don't think anybody thinks about age. Because if you're out on this tour it means you deserve to be here. You've got the skill. It must mean you know how to play.
Even when you write it, someone's got to play it. So if you can play it and bypass all the rest of the things, you're still doing as great as someone that has spent forty years trying to find out how to do that. I'm really pro-human beings, pro-expression of everything.
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