A Quote by Sydney, Lady Morgan

You see, my good friend, how much we are the creatures of situation and circumstance, and with what pliant servility the mind resigns itself to the impressions of the senses, or the illusions of the imagination
The problem with people who are afraid of imagination, of fantasy, is that their world becomes so narrow that I don't see how they can imagine beyond what their senses can verify. We know from science that there are entire worlds that our senses can't verify.
The mind is its own enemy, that fights itself with the innumerable pliant and ineluctable arms of the octopus.
The Buddha taught that suffering is the extra pain in the mind that happens when we feel an anguished imperative to have things be different from how they are. We see it most clearly when our personal situation is painful and we want very much for it to change. It's the wanting very much that hurts so badly, the feeling of "I need this desperately," that paralyzes the mind. The "I" who wants so much feels isolated. Alone.
The magic of theatre is how much can you stimulate the mind of the audience, not how many illusions you can create.
Men are so inclined to content themselves with what is commonest; the spirit and the senses so easily grow dead to the impressions of the beautiful and perfect, that every one should study, by all methods, to nourish in his mind the faculty of feeling these things. ...For this reason, one ought every day at least, to hear a little song, read a good poem, see a fine picture, and, if it were possible, to speak a few reasonable words.
Mind is a tool invented by the universe to see itself; but it can never see all of itself, for much the same reason that you can't see your own back (without mirrors).
Death is a release from the impressions of the senses, and from desires that make us their puppets, and from the vagaries of the mind, and from the hard service of the flesh.
The two principles of truth, reason and senses, are not only both not genuine, but are engaged in mutual deception. The senses deceive reason through false appearances, and the senses are disturbed by passions, which produce false impressions.
When a friend is sick, I see the situation for what it is, not what it isn't, and I offer to help as much as she wants, not as much as I want.
We are all the subjects of impressions, and some of use seek to convey the impressions to others. In the art of communicating impressions lies the power of generalizing without losing that logical connection of parts to the whole which satisfies the mind.
Let the awe [the teacher] has upon [children's] minds be so tempered with the constant marks of tenderness and good will, that affection may spur them to their duty, and make them find a pleasure in complying with his dictates. This will bring them with satisfaction to their tutor; make them hearken to him, as to one who is their friend, that cherishes them, and takes pains for their good; this will keep their thoughts easy and free, whilst they are with him, the only temper wherein the mind is capable of receiving new information, and of admitting into itself those impressions.
'Mosaic' is about what we see and what we don't see. I learned how people can develop other senses to compensate for a missing one when I was a child. My best friend, Carol, who is profoundly deaf, saved me from an approaching car that she 'heard' when I didn't.
How many slams in an old screen door? Depends how loud you shut it. How many slices in a bread? Depends how thin you cut it. How much good inside a day? Depends how good you live 'em. How much love inside a friend? Depends how much you give 'em.” ? How Many, How Much by Shel Silverstein “Tell the truth, or someone will tell it for you.
What seems real to the mind can be as important as any material fact. We live by the spirit and the imagination as well as by our senses. Cartoon animation can give fantasy the same reality as those things we can touch and see and hear.
Imagination is a flame that ignites the creative spirit. Imagination lights up your mind by stoking mental fires. It can be stimulated from the outside through the senses, or from the inside through the driving power of curiosity and discontent.
There are places and climates, seasons and hours, with their outward circumstance, so much in harmony with certain impressions of the heart, that Nature and the soul of man appear to be parts of one vast whole.
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