A Quote by Sylvester McCoy
On stage you look much larger than you are. You can have subtle changes of timing; how you place a punchline in a joke or movement or emotion according to an audience.
Related Quotes
On stage you look much larger than you are. You can have subtle changes of timing; how you place a punch line in a joke or movement or emotion according to an audience.
I wouldn't want to be defined so much by comics or cartoons. My work is more narrative than that. If you take your basic cartoon, there's always a punchline or a joke at the end. My drawings don't depend on that so much.
I definitely prefer the single camera better. For me it's the simple fact that I enjoy working in front of an audience, but when you're trying to create a suspension of disbelief it's much harder to do in front of audience because they become a partner. Moreso than that, they become in charge of the timing. From the simple, mechanical fact that you have to hold for their laughter. The actual timing of the scene is in the hands of the audience. As a control freak, I don't enjoy that as much as the ability to be able to control it in an edit room.
You learn timing on the road. You learn structure and how to read an audience. You learn so much about the business of laughter that you can't learn on a set, because it's all on you. Sometimes you bomb, and you know not to tell that joke again... You just hope people find the humor in the awkwardness.
The anti-extradition movement is larger and much more organised than the Umbrella Movement in 2014.
I like my messiness on stage, though I watch comics who come at a joke from every angle and I think, 'Yeah! That's how it's done!' But for me it's the audience. If I feel connected to them, I have so much fun, and if not, it stinks.
From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
I tried to make the punchline as close to the setup as I could. And I thought that was the perfect thing. If I could make the setup and the punchline identical to each other, I would create a different kind of joke.
I definitely have friends who gave me a tag for a joke I already had. Like, 'Here's another line.' A tag is, 'Oooooh, it's an industry term.' It's like, there's the punchline, and a tag is like a secondary punchline.
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
Somebody has to be on stage, and some people have to be in the audience. That's the only difference. Don't put any thought as to why you are on the stage or how you need to be 'better' than the people in the audience. You aren't better. You're simply the speaker.
There is something about the stage that makes it so much better than being in the studio. I always connect with my audience; a concert to me is a collaboration between me and the audience, and I love it so much.
In film, the camera can get an array of shots so the audience can see the emotion the character is giving off. Using close-ups on the character's face really helps get the message across. On stage, you can't do that. But the stage has that live feeling that you can't get anywhere else because the audience is right there.
In film, the camera can get an array of shots so the audience can see the emotion the character is giving off. Using close-ups on the characters face really helps get the message across. On stage, you cant do that. But the stage has that live feeling that you cant get anywhere else because the audience is right there.
When I look at my audience, I can tell better who's in the crowd and the kind of joke I shouldn't do. It's just complicated. I guess I sift through to make sure these jokes are a little different with not such a harsh edge to them. That's pretty much how I handle the crowd.
The close-up, according to D.W. Griffith, allows subtle changes of facial expression-the raising of an eyebrow or the flicker of a smile-to become part of the action.
Related Authors
Arnold Schwarzenegger Quotes
Austrian
Actor
Benedict Cumberbatch Quotes
English
Actor
Bruce Lee Quotes
American
Actor
Clint Eastwood Quotes
American
Actor
Daniel Radcliffe Quotes
British
Actor
Dwayne Johnson Quotes
American
Actor
Jeff Bridges Quotes
American
Actor
Johnny Depp Quotes
American
Actor
Kevin Hart Quotes
American
Actor
Kevin Spacey Quotes
American
Actor
Leonardo DiCaprio Quotes
American
Actor
Rob Lowe Quotes
American
Actor
Robert Pattinson Quotes
English
Actor
Sylvester Stallone Quotes
American
Actor
Will Rogers Quotes
American
Actor
Zach Braff Quotes
American
Actor