A Quote by Sylvester McCoy
I quite enjoy fame, especially when you go to conventions in America where they treat you like a god with stretch limos and the whole fame thing, but then when you come back to Britain, you end up changing in a toilet in a theatre off West End and that's really good, because that is what it's about.
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Not having a mum was my thing. It came with a sort of fame. Other kids couldn't get their head around that. But looking back now, I'm quite proud about how I managed myself. I didn't end up sniffing glue or running away. I just got on with things.
It's a very nice kind of quasi-fame being a writer, because you remain largely anonymous and you can have a private life, which I really cherish. I don't like to be in the public light all that much. I don't crave the whole fame thing at all.
The thing about fame is, you want it your whole life, but no matter how bright you are, no one ever asks themselves why they want fame. You never really know what it is until you have it. You can never tangibly feel your own fame.
So in that way, fame has become a weirder thing to go after, but the thing about me is I've never been after fame. That sounds cliché, but it's true. I think fame sounds uncomfortable to me, but being able to like write this book and make my living doing very exciting, creative stuff sounds really amazing. It has been really amazing.
If you have fame, you never feel that you have fame, if you have the brains of a flea. Because fame is something that's over back of you. It ain't ahead.... Not ahead at all. I mean, if you've done it that's great, but "what are you going to do now?" is the only thing that matters.
I'm very fond of Glasgow, particularly the West End. The whole stretch of the west coast of Scotland from Loch Lomond up through Mallaig to the Kyle of Localsh is so beautiful.
I worked with Herb Ritts on the Marky Mark shoot, and then Steven Meisel, and then they'd start sending limos for me, and I was like, 'That is so embarrassing. I'm not getting in a stretch limo by myself to go to a shoot.' That whole New York thing of, 'You are fabulous! Turn up to a Meisel shoot in a limo and you're fabulous!'
I grew up in the West End, so my whole background was living among theatres and musicals and the West End's coffee bars and clubs. It's kind of obvious that one day I should do something like that.
I literally make music for my wife and my friends. I don't feel beholden to my fans. I don't even really know who they are. But, I know that this whole thing started with me making stuff that I got off on, and I've gotta believe that that's how it's going to end, too. That's the only way it can go. There are a lot of artists who have gotten pretty caught up in that. That's why I like the defeatist attitude. Just assume that no one is going to like it and that no one cares, and you'll end up making something that you really like.
I really don't feel the need to be in the Rock and Roll Hall of Fame because, at the end of the day, it's just somebody's Rock and Roll Hall of Fame. They have a particular process, and they're welcome to do it however they want to do it.
If you change because of fame, that's not the right thing. But if you change because of growth, that's normal... The whole fame thing hasn't hit me. And I hope it kind of doesn't.
I don't treat my family any differently because they're on television. I've always had a problem grasping fame. I don't think I understand fame, and I don't think I ever will. I think that anybody who thinks that they understand fame, they're doing it for the wrong reasons.
I don't like the idea of stepping-stones in art forms: that you do your time at a regional theatre, and then you work in London and go to the West End, and then you do films. I've never felt like following that trajectory.
Before, it had been fame, and then super-fame came. And then it became super-super-fame. One loses one's personal life, really; you're recognized everywhere. But I embraced that.
When you finally end something like Superman and then find yourself world-famous, it's pretty weird, lemme tell ya. Fame is weird, is what it really is. It's the weirdest thing in the world.
The only band I was really over-into was Cream. And the only thing I really liked about them was their live stuff 'cause they played two verses, then go off and jam for 20 minutes, come back and do a chorus and end. And I love the live jam stuff, the improvisation.
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