A Quote by Sylvester Stallone

Theater is like boxing - having the audience ringside. It's instant gratification. Or horrification. — © Sylvester Stallone
Theater is like boxing - having the audience ringside. It's instant gratification. Or horrification.
I made an instant connection with boxing right away. Boxing became such a part of me. I ate boxing, I slept boxing, I lived boxing. Boxing was a way of expressing myself because I was not that outspoken.
I am very much in the instant-gratification camp. I am too much of an actor not to be. I am used to doing my work and having someone comment immediately. So I think that I'm a little hooked on that gratification structure.
I'd love to go back and do theater. There's nothing like that instant response and the connection to a live audience.
The live audience, just getting an instant reaction off of an audience is the best part[of the show]. Being in the studio and working on your songs and listening to them back and doing all that - it's a lot of fun, but having that instant reaction and being able to work and vibe with an audience is the best part.
Instant gratification is not as good as that gratification which comes dripping slow, over the sere seasons.
We live in a society right now which is the last phase of the ecosystem in terms of the old entertainment value, or the old entertainment construction, which is we've gone down to this instant gratification, instant numbers, instant understanding, instant. But it's like the exact - it has perfected itself to the instant click, when, in a way, creativity originates as a much more complex beast. So we now have to reinvent a new canvas where we can indulge in it. And that's where the digital revolution creates a whole new ecosystem of entertainment.
I wrote about Freud and the process of sublimation, which is when you learn to stop breast-feeding, or stop going to the toilet whenever you want to. It's about learning to repress a desire for instant gratification. And in a repressed society, artists fulfil a sense of harking back to instant gratification, or immediate expression, by doing things that function on the edge of society, or outside of what is conventionally accepted.
The thing I love about YouTube is it's almost like having an instant audience for improv.
Immediate gratification of a live audience makes me come alive. I miss performing in theater. I'll make my return to the stage eventually.
We got instant gratification when we would slip in one of our own songs and people would cheer. We started getting a lot of gratification from writing.
As much as I love to watch movies, nothing beats being ringside for a championship fight in boxing.
We live in a day when the adversary stresses on every hand the philosophy of instant gratification. We seem to demand instant everything, including instant solutions to our problems. . .It was meant to be that life would be a challenge. To suffer some anxiety, some depression, some disappointment, even some failure is normal.
When I was starting out the announcers would name everyone from the boxing board at ringside and by the time they got to the fighters they were almost an afterthought.
I love my Kindle, but there are many books that I need to physically own. I think having the choice makes all the difference. Instant gratification - buying a book digitally and owning it sixty seconds later - really is a revolutionary act.
The audience is the most revered member of the theater. Without an audience, there is no theater. Everything done is ultimately for the enjoyment of the audience. They are our guests, fellow players, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.
I wasn't a trained actor, I was trained in musical comedy theater, and when you do that, the audience is completely part of the thing. It's like Elizabethan theater. You play the scene, and then you turn - the audience is part of it.
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