A Quote by Sylvester Stallone

I never started out to be an action actor. I was an ensemble actor. "Rocky" was an ensemble film. "F.I.S.T." was an ensemble. "Paradise Alley" was an ensemble. — © Sylvester Stallone
I never started out to be an action actor. I was an ensemble actor. "Rocky" was an ensemble film. "F.I.S.T." was an ensemble. "Paradise Alley" was an ensemble.
I never started out to be an action actor. I was an ensemble actor.
I've done a lot of pictures that are ensemble, and I've not always liked the people I was working with, but that doesn't make any difference because you do the job, and often it turns out to be a great ensemble even if you didn't particularly really like anybody.
I had a professor in graduate school who told us, 'Know what you're good at, and do that thing.' And I thought, 'Hands down, I'm an ensemble girl. I'm a fierce ensemble girl. I am dependable.' I was never seen for the ingenue or the leading lady.
I love television, and I get so spoiled because I'm coming from such an amazing ensemble in 'Hamilton' to such an amazing ensemble on 'Bull.'
When an ensemble is really tight or playing as one, it's a transcendental experience. It is spiritual. It goes beyond the ensemble. Ray and I and Robby and Jim were pretty tight, musically and spiritually.
I've always considered myself an ensemble girl, meaning I was always cast in the ensemble.
Denzel Washington is a big Hollywood movie star now. But he started out as an actor in the Negro Ensemble company.
I love 'Shameless' as a fan. But I love lots of television. And as an ensemble, I have never seen a group of people put on screen what 'Shameless' - the 'Shameless' cast as an ensemble and as individuals - in decades.
I like being the lead but I like being in an ensemble. There are different challenges and dilemmas with both. If you're carrying a film, there's a certain weight, but there are a lot of scenes to explore the character. When you're in an ensemble, you have to convey the entire character in a limited number of scenes.
In spite of my great admiration for individual splendid talents I do not accept the star system. Collective creative effort is the root of our kind of art. That requires ensemble acting and whoever mars that ensemble is committing a crime not only against his comrades but also against the very art of which he is the servant.
In the first two projects I've worked on professionally, I've been doing ensemble work with other young women, which I think is pretty cool. And they both were directed by and written by women. It's been a wonderful experience of real ensemble support and women lifting each other up, and I feel really lucky for that.
The pieces of "Please Give" just did fit together. I'm very comfortable with the ensemble. I thought this was just going to be a movie about this girl who gives mammograms. She's the lead. And then before I know it, she's got a sister, neighbors, and sometimes parents and friends and then it's an ensemble. And that's what I'm comfortable with, I guess.
I'm not an ensemble actor, because it's always a lot of ego when you're all together in the scene. It's kind of intellectual fighting for something.
We both [me and Eugene Levy] come from the same place. Eugene did most of his work in SCTV and ensemble situations. I'd done all this theater work before I got into movies and ensemble situations. We both learned how to develop characters and interact with other people in a unique and economic sort of way.
As an actor, I'm always playing solitary characters. But as a director, I'm always making ensemble movies, which focus on lots of people's lives and how they intertwine.
It is not easy to make an ensemble film - if there is one person with the wrong attitude, you are jacked.
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