A Quote by Sylvester Stallone
I understand that a lot of other actors don't have a choice. They have to eat so they need to work and they'll do films that they're not so proud of. But I've been fortunate enough to be given a second wind, so I try to pick projects I know will provide the audience the kind of escapism they want from me.
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I was fortunate enough to be able to pick projects and try to make my own way more than just taking what's given to me or anything that comes my way.
What I love about what I've been given - and luck has a lot to do with it - is that if you follow your heart you'll wind up doing exactly what you want to do. I was fortunate enough to have enough of a foundation with people behind me to do what was in my heart. And it's all worked out.
Well, I am a Malayali and I know the kind of expectations my fans have about my films. That, for me, is the biggest award. So I try and pick roles that I hope viewers will like. Malayalis want actors to be subtle in their acting and they enjoy realism.
I've been very fortunate to work with a lot of directors who understand that actors need to feel empowered in order to really do their job.
It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.
I try to pick interesting projects, the kind of projects that I would want to watch.
I always try to pick projects by: Is this something that excites me? What are the people like to work with? Obviously you spend a lot of time in a room together with them, so I always try to find projects that hopefully have great people attached.
Women have to make a living. We don't live in a wealthy world where we even have a choice. We're losing our choice of whether or not we need to work. If we want to work, we obviously should work and have that choice, but a lot of women can't even get to the word "want." They need to work. And it's great to see women who needed to work and found a way to become a firefighter or a steel worker. That, to me, is very exciting.
The important point is that the cost of adding a feature isn't just the time it takes to code it. The cost also includes the addition of an obstacle to future expansion. Sure, any given feature list can be implemented, given enough coding time. But in addition to coming out late, you will usually wind up with a codebase that is so fragile that new ideas that should be dead-simple wind up taking longer and longer to work into the tangled existing web. The trick is to pick the features that don't fight each other.
There are the obstacles of your position as an actor, not being a commodity enough to be hired by the big directors for projects that have some kind of integrity, because the successful actors who've been in the game for a while want those roles. So there's more competition, so you have to work harder and be right for it.
I'm so proud of myself. I got to this level through my hard work, my determination and I'm fortunate enough to be working for a football club that I adore, that have given me license to do this and I work with a set of players that were always in control, even when I didn't feel like I was!
There are always fellow Marines who understand and know what you're going through. Be proud, don't be ashamed, and go out there and tackle the second life you've been given.
I'm not a movie star like other actors in the way that I need to walk around with a bodyguard. My goal is just to get some interesting parts and make enough money to live free. Otherwise, to be a movie star, it's a lot of compromise and also a lot of headaches. You can't do what you want. You become a prisoner of your fame. This happened to me in France and I don't want it. I want to go to the terrace of a café, have a coffee. I have no problems with the fact that people recognize me, I'm very glad about it, but to be a movie star is kind of unreal for me.
When I call 'Action,' I love to be surprised. And the actors I've been fortunate enough to work with always surprise me in the best ways.
I don't want to take shots at professional actors, because obviously the great ones are great. But I do think that given the kind of stories I've been telling in my films, it's hard for me to imagine how professional actors would have done better. And it's easy for me to imagine how they would have done worse. Because I think a lot of what an actor is trained to do and a lot of what an actor's instincts point toward is clarification, is always making it clear what's happening in the story, how the character fits into the scene, what the character wants.
People like my films. They understand me through my films; it's like a connection that has been established between all my work and myself and the audience and the viewer.
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