A Quote by Sylvester Stallone

Lighting can bring out certain contours in the body, in the face, in the eyes, that otherwise flat lighting couldn't. — © Sylvester Stallone
Lighting can bring out certain contours in the body, in the face, in the eyes, that otherwise flat lighting couldn't.
I think people underestimate the importance of lighting - layers of lighting, not just one light. I do a lighting seminar where I take a $300-a-yard fabric and a $3-a-yard fabric. I show what lighting can do to either one.
I was never a hugely successful theatre designer. I painted a lot of scenery and did the lighting, and my lighting business grew out of that.
The lighting is so important. One thing that makes me nuts about the lighting now is that they spend an enormous amount of time lighting the set, the background. But the most important thing in the scene is the actor.
To me if there's an achievement to lighting and photography in a film it's because nothing stands out, it all works as a piece. And you feel that these actors are in this situation and the audience is not thrown by a pretty picture or by bad lighting.
I live out of my van, which gives me a first-hand appreciation for power and lighting. A few years ago, I rebuilt the interior of my van to include solar panels and a battery that powers LEDs for lighting and allows me to charge my phone and laptop.
Light is one of the basic areas that will give you comfort, but it is undergoing a technological revolution in moving from conventional lighting to semiconductor-based lighting, and as it does that, it is becoming intelligent with the transition from analogue to digital.
Metal shades only give directional lighting, which is great for a desk or work area, but not for ambient lighting. Fabric shades are much softer.
I'm obsessed with lighting. I'm constantly shopping for different lightbulbs. I love rainbow lightbulbs. And also, one should not live without dimmers. Life is all about lighting.
I have a very 'theatre' face. I have what they call a wide mask. I probably would have been a big film star in the '20s with the silent films where they used a lot of key lighting, and make-up carved out your face.
Lighting affects everything light falls upon. How you see what you see, how you feel about it, and how you hear what you are hearing. Replace the 'a' with an 'e' and you get lighting effects!
Life's not linear at all. It happens in lighting flashes. So fast you don't see those lay-you-out cold moments coming at you until you're Wile E. Coyote, steamrolled flat as a pancake by the Road Runner, victim of your own elaborate schemes.
Lighting a fire UNDER someone will never be as effective as Lighting a fire WITHIN someone.
Please listen to me - you are not paying attention. I am talking to you about the Holy Scriptures, and you are looking at the lamps and the people lighting them. It is very frivolous to be more interested in what the lamplighters are doing... After all, I am lighting a lamp too - the lamp of God's Word.
I have observed dreams and visions very carefully, and am now certain that the imagination has some way of lighting on the truth that the reason has not, and that its commandments, delivered when the body is still and the reason silent, are the most binding we can ever know.
I find great lighting and a squint of the eyes makes anyone look better.
And I was very successful at baby photography... Strange isn't it? Because some of my portraits of babies were - I used dramatic lighting, shadow lighting, and I didn't use flash. We didn't have flash in those days, we just had floodlights, and I was photographing babies as I would an object - an inanimate object, for that matter.
This site uses cookies to ensure you get the best experience. More info...
Got it!