A Quote by Sylvester Stallone

It's funny because when Jason [Statham] was drowning I was filming with an iPhone. It may have been a bit insensitive but I just thought, "you know what, this was a magic moment". And I couldn't help him anyway because I didn't want to drown.
Jason Statham is funny, I never knew that.
I read the script and I really liked it. It was high energy, crazy and it goes to any level to get people nuts and I thought Eve was an interesting character. At first I didn't get her, so it made me want to do the role because I wanted to dive in and see what she was about. On top of that I also wanted to work with Jason Statham because he's an amazing actor.
People today are in danger of drowning in information; but, because they have been taught that information is useful, they are more willing to drown than they need be. If they could handle information, they would not have to drown at all.
I don't believe any real artists have ever been non-political. They may have been insensitive to this particular plight or insensitive to that, but they were political, because that's what an artist is-a politician.
Everybody breaks sooner or later, Bob. Anyone can drown. Sometimes you see it. Most often, you don’t because the body protects and the skin hides, so drowning doesn’t look like drowning and some people scar so nicely. Take it from an expert.
Comedy is probably a lot harder for me. Maybe it's because I've been doing drama for so long or maybe it's because... you don't want to search for a laugh; you can't try to be funny, you just have to naturally be funny or be in a situation that's funny.
I'll say it, I love working with actors, I'm a fan of actors. They bring so much, and they can also break a movie, but when it works I give it all to the actors. I'll say it, I think that 'The Transporter' is great not because of my direction, it really is great because Jason Statham was great in it.
It's very difficult once you've been on telly because people know what you do. They give you a little bit of grace but then they're harsher if you're not funny, so you have to be funny.
Do you know the story of the scorpion and the frog? You know, the frog agrees to carry the scorpion across the river, because the scorpion promises not to sting him. And then the scorpion stings the frog, half way across the river. The drowning frog asks him why he did it, when they'll both drown, and the scorpion says that he's a scorpion, and it's his nature to sting.
Proving that the best villains have the charisma of a hero, (Jason) Statham makes a strong impression, supplying the kind of menace that permeates the movie even when he's not on screen. His fight with (Dwayne) Johnson doesn't have the bang you'd expect from a The Transporter versus The Rock match-up, but the climactic Statham-(Vin)Diesel battle more than delivers.
But on the way home tonight, you wish you'd picked him up, held him a bit. Just held him, very close to your heart, his cheek by the hollow of your shoulder, full of sleep. As it it were you who could, somehow, save him. For the moment not caring who you're supposed to be registered as. For the moment, anyway, no longer who the Caesars say you are.
If you're a comedian, it's a bit of a choice whether or not you want to be funny when you're not performing because it might feel disingenuous. In the same way, I don't show people magic tricks in social situations any more.
My own feeling about JJ, without knowing anything about him, was that he might have been a gay person, because he had long hair and spoke American. A lot of Americans are gay people, aren’t they? I know they didn’t invent gayness, because they say that was the Greeks. But they helped bring it back into fashion. Being gay was a bit like the Olympics: it disappeared in ancient times, and then they brought it back in the twentieth century. Anyway, I didn’t know anything about gays, so I just presumed they were all unhappy and wanted to kill themselves.
I think that one of my favorite movie roles has been a film that I did with Jason Statham that was out last year called 'Safe.' I played the main bad guy in that.
A typical master. Right to the end, he didn’t give me a chance to get a word in edgeways. Which is a pity, because at that last moment I’d have liked to tell him what I thought of him. Mind you, since in that split second we were, to all intents and purposes, one and the same, I rather think he knew anyway.
I'm afraid to walk in public, because people look at me. But I'm not going to stop. I'm afraid because if I want to commune with my friend Shad (Meier), I have to ask him to cut my chicken for me. But I did it. And I'm afraid to go back and see my teammates and coaches because I know that I'll feel envy. But I'm going to do it anyway. Because fear is just a feeling, and if you can acknowledge that fear, digest that fear and overcome it, the rewards are incredible.
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