A Quote by Sylvester Stallone

Certain characters, mostly heroes, have to be the straight silent type; that is part of the make-up. — © Sylvester Stallone
Certain characters, mostly heroes, have to be the straight silent type; that is part of the make-up.
There's no certain type of cinema, but there's a certain type of promise every film comes with. The agenda is to keep an eye on quality and live up to that promise.
It's not so much that I enjoy screenwriting, though mostly I do, but the difference is, with adaptations, somebody else has done the hard part - made up a story, provided the characters.
Usually cartoon characters stay a certain age; that's part of their appeal. Usually they don't grow up.
In terms of people who we call heroes - and I don't tend to like that term, and firefighters don't consider themselves heroes - but if you look at their job description, they are. Their job is to straight up save people.
Growing up is never straight forward. There are moments when everything is fine, and other moments where you realize that there are certain memories that you'll never get back, and certain people that are going to change, and the hardest part is knowing that there's nothing you can do except watch them.
I'm always interested in characters who are closed down, but who open up when they choose to, rather than when they're obliged to. I think that's a very appealing thing, for an audience and just in life. I like the idea that something will say nothing, and then get straight to the point. That feels like how your heroes should be.
Hollywood, they make up these Latinos because they have a certain physical type or a certain name or whatever... It's not that easy. It's like me wanting to do a movie with an American actor, and I say, 'Hey listen, I have either Johnny Depp or Carrot Top.'
I do this acting thing mostly for myself. I like to make a connection and communicate with the audience to make myself feel less lonely. I also do it to develop my own character, so sometimes I do it to just be away in a certain area that I've never been to. But mostly, the story has to do something for me.
I am fine playing 'Law & Order' and even the 'Jurassic' movies to be straight up, as far as the characters being portrayed there, but I never want to stay in straight-up land too long. I always wanted to do something where the character's world gets to be explored.
My heroes are all dead. I've lots of heroes. My mum is a hero. She had to put up with me and my dad. She is one of my heroes. Some of my friends are heroes. There are so many. But heroes usually let you down, don't they? There is people I admire, people I respect.
When you're in sync with the director, on the type of movie you want to make, the arc of the characters, how the characters intertwine and interact, plotlines and story, and things like that, it really makes a difference.
Music is always a part of my characters' make-up.
A lot of my characters are anti-heroes that became heroes.
The type of music I make, it's not just straight-up rapping. There's emotion in it. That's why people feel each song differently. I get all my vibes from rock music, you know? All my melodies and all that.
A silly comedy needs a straight guy, and that guy needs to be as straight as possible. The moment you start playing straight you're not straight anymore, you're bent straight, so it really requires the usual serious, straight-forward analysis and research, looking into it and finding the dramatic function, all of what you do until you feel you've collected enough points to safely and securely play the part.
You can make or break an outfit by not knowing your body type - certain things work on certain people. Make sure you're dressing for your leg-length, hip/chest size, etc.
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