A Quote by Sylvester Stallone

Painting is as close as a person can get to actually capturing the heat of the moment. — © Sylvester Stallone
Painting is as close as a person can get to actually capturing the heat of the moment.
Within a year after I write a play I forget the experience of having written it. And I couldn't revise or rewrite it if I wanted to. Up until that point, I'm so involved with the experience of having written the play, and the nature of it, that I can't see what faults it might have. The only moment of clear objectivity that I can find is at the moment of critical heat - of self-critical heat when I'm actually writing.
I am a leader, so leaders always get heat. They're always going against the grain. Jimi Hendrix got heat; Bob Marley got heat; Miles Davis got heat. Every great artist got heat. Heat means you're doing something right.
I am a leader. Leaders always get heat. They're always going against the grain. Jimi Hendrix got heat; Bob Marley got heat; Miles Davis got heat. Every great artist got heat. Heat means you're doing something right.
It's more about capturing an idea than about capturing a moment.
The most annoying person on the BBC is Russell Brand, I've actually been close up to that boy. He smells like when you mix garlic with coffee and alcohol. I'm just saying when you get close to him, he could do with a bit of Sure For Men, he stinks.
I hope to actually get back to painting someday... soon. I sort of transitioned into cartooning from painting.
Sometimes a loss that just comes out of left field rings in a very weird way when you have actually sort of relied on this small moment with this or that person, as a moment that actually has defined something for you in your life.
If you zoom close-if you get really close to someone, if you really get close to yourself-then you lose the other person, you lose yourself entirely. You get so close you can't see anything anymore.
Most people don't really like to pose. It is difficult to get them to be present and relaxed under this kind of molecular scrutiny. I want them to understand I'm not simply painting them: I am painting them within a precise moment in time, as a shadow moves across their eyebrows. Then it is gone. The moment is over.
The thrill of a photo-realist painter is if you get really close to the painting, it looks just like a photograph. Whereas in my case, if you get close to my paintings, they totally fall apart - so I'm about as far from a photo-realist as it gets.
People think you can get out your canvas and paint any time you have a free moment. You can't. Commercial art and painting are entirely different. Painting takes a different mental approach. You have to get the right attitude, the right mood.
I'm not interested in playing the field and all that stuff because frankly I'm not into frivolous relationships. I've got a couple close relationships with friends, a close relationship with my family, and a close relationship with my guitar. I'll know if the right person comes along, and whatever then - cool - but it's not something I'm seeking out at the moment.
The way they heat their homes in Korea is to put bricks under the floors, so the heat actually radiates from underneath the floor.
I might say 'let's get married' because I am not rigid, I live moment to moment. These are my views and it is person to person, one should not get influenced with what I am saying.
If you actually do cold readings, it's very close to how people actually talk, because you're experiencing these thoughts anew every moment, and trying to make them come out coherently.
Writing a short story is like painting a picture on the head of a pin. And just getting everything to fit is - sometimes seems impossible. Writing a novel, though, is - has its own challenges of scope. And I think of that as painting a mural, where the challenge is that if you are close enough to work on it, you're too close to see the whole thing.
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