A Quote by Sylvester Stallone

When you're an actor, you're a slave to other people's visions. — © Sylvester Stallone
When you're an actor, you're a slave to other people's visions.
Man is the only slave. And he is the only animal who enslaves. He has always been a slave in one form or another, and has always held other slaves in bondage under him in one way or another. In our day, he is always some man's slave for wages, and does that man's work; and this slave has other slaves under him for minor wages, and they do his work. The higher animals are the only ones who exclusively do their own work and provide their own living.
I don't believe that people create their own visions. Rather, I believe that visions are actually God's way of communicating with us.
All you have to do is go back to slavery - days, and there were two types of slaves, the house slave and the field slave. The house slave was the one who believed in the master, who had confidence in the master and usually was very friendly with the master. And usually he was also used by the master to try and keep the other slaves pacified.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
Hindustan had become free. Pakistan had become independent soon after its inception but man was still slave in both these countries -- slave of prejudice … slave of religious fanaticism … slave of barbarity and inhumanity.
The good man, though a slave, is free; the wicked, though he reigns, is a slave, and not the slave of a single man, but- what is worse - the slave of as many masters as he has vices.
Whether or not I am a 'character actor' or any other kind of actor, I really don't know. When people call me a 'character actor,' I fail to understand what it means.
Quing-Jao: I am a slave to the gods, and I rejoice in it. Jane: A slave who rejoices is a slave indeed.
A slave-holder cannot hold a slave without putting himself or his deputy in the cage for holding the slave.
Slave power crushes freedom of speech and of opinion. Slave power degrades labor. Slave power is arrogant, is jealous and intrusive, is cruel, is despotic, not only over the slave but over the community, the state.
I just don't care that much about the band name. I'm not so precious about it. The Harpoons were different people, but The Boy-Friends were and are the same people as The Visions. I changed it to The Visions when we made 'Transangelic Exodus' because I guess we didn't feel so friendly and boyish anymore.
There are magic moments, involving great physical fatigue and intense motor excitement, that produce visions of people known in the past. As I learned later from the delightful little book of the Abbé de Bucquoy, there are also visions of books as yet unwritten.
I am the descendant of slaves, of people that were born from a slave and a slave master.
The camera is the slave to the actor.
I think it's quite natural as an actor to compare yourself to how well other people are doing and how other people might've played that role you auditioned for. There's a lot of comparison you can do as an actor, which is natural, because it's a competitive industry. However, we're all individuals, so you can only ever be yourself.
The other, the other aspect when I say I'm an actor is that as an actor you make this imaginative leap into being somebody else, that's to say the muscle of the imagination is as important as any other of the muscles in your body, and so it is something about this instinct in space and time which for me I associate with being an actor rather than a director.
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