A Quote by Sylvia Browne

I've always been interested in past lives, because they're earmarks of what creates us. — © Sylvia Browne
I've always been interested in past lives, because they're earmarks of what creates us.
There's no doubt about it, earmarks are not very popular. There are good earmarks and bad earmarks. The good earmarks are the ones I get for my district.
Your whole past hangs around you with nothing completed - because nothing has been lived really, everything somehow bypassed, partially lived, only so-so, in a lukewarm way. There has been no intensity, no passion. You have been moving like a somnambulist, a sleepwalker. So that past hangs, and the future creates fear. And between the past and the future is crushed your present, the only reality.
But we were interested in how our lives could mean something to the past. We sailed into the past.
I'd always been interested in Nigeria's past.
I've always been more interested in the future than in the past.
It's interesting because I haven't done a lot of period work in the past, but I always wanted to because I'm interested in history.
I've just always been interested in moving past the keyboard and mouse.
I've always been interested in the news, but I've always been interested in what's popular. I've always had a little bit of a populist take on things. Which I know is interesting when you talk about Donald Trump.
I'd be a lot more excited about eliminating earmarks if we reduced all of the spending by whatever the earmarks used to be, but nobody's, apparently, going to talk about doing that.
How those fires burned that are no longer, how the weather worsened, how the shadow of the seagull vanished without a trace. Was it the end of a season, the end of a life? Was it so long ago it seems it might never have been? What is it in us that lives in the past and longs for the future, or lives in the future and longs for the past? (from "No Words Can Describe It")
I am extremely interested in how people negotiate catastrophe, not because I'm morbidly interested in it but because I'm interested in the secret of resilience; that's what I'm always exploring in the stories and the novels.
In the West the past is like a dead animal. It is a carcass picked at by the flies that call themselves historians and biographers. But in my culture the past lives. My people feel this way in part because death does not separate us from our ancestors.
After playing Chopin, I feel as if I had been weeping over sins that I had never committed, and mourning over tragedies that were not my own. Music always seems to me to produce that effect. It creates for one a past of which one has been ignorant, and fills one with a sense of sorrows that have been hidden from one’s tears.
I don't know really. I've always been interested in the small picture instead of the big one, and I've always been interested in relationship pictures.
I've always been interested in politics, and I would like to make a difference in people's lives.
Doing what we were meant to do creates fun, excitement and contentment in our lives, and invariably, in the lives of the people around us. When you're excited about something it's contagious.
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