A Quote by Sylvia Brownrigg

In fiction, I have been on a Zweig kick. In England over December, I noticed that many British newspapers' year-end recommenders were praising the Pushkin Press for reissuing several works by Stefan Zweig, a brilliant Austrian writer whose work brings to mind that of his compatriot Joseph Roth... these fictions are a treat of prewar European literature
There was a time when Stefan Zweig was the most widely read author in the world. He was lionized everywhere, translated into every language. For the first four decades of the 20th century, his novellas and biographies were devoured by rich and poor, young and old, well read or less so.
Roth Unbound is filled with intelligent readings and smart judgments. Because of the author's sympathy and sharp mind, it offers real insight into the creative process itself, and into Philip Roth's high calling as a great American artist. The book is, in some ways, a radical rereading of Roth's life and his work. It is impossible, by the end, not to feel a tender admiration for Roth as a novelist and indeed for Claudia Roth Pierpont as an empathetic and brilliant critic.
THE WORLD OF YESTERDAY is ostensibly an autobiography but in truth it is much more than that. In this remarkably fine new translation, Anthea Bell perfectly captures Stefan Zweig’s glorious evocation of a lost world, Vienna’s golden age, in which he grew up and flourished.
... over two hundred women, apparently at their own request, were sealed as wives to Joseph Smith after his death in special temple ceremonies. Moreover, a great many distinguished women in history, including several Catholic saints, were also sealed to Joseph Smith in Utah. I saw these astonishing lists in the Latter-day Saint Genealogical Archives in Salt Lake City in 1944.
He is thoughtful whose mind is directed by his will, whose mind fulfills his intentions, whose mind is under the control of his intention... It is not till a person has gained mastery over his mind, till he is above this activity, that he is a ruling power, a true person.
I grew up in a very British family who had been transplanted to Canada, and my grandmother's house was filled with English books. I was a very early reader, so I was really brought up being surrounded with piles of British books and British newspapers, British magazines. I developed a really great love of England.
A non-fiction writer pretty much has the shape of the figure in front of him or her and goes about refining it. A work of non-fiction is not as difficult to write as a work of fiction, but it's not as satisfying in the end.
Each of us, even the lowliest and most insignificant among us, was uprooted from his innermost existence by the almost constant volcanic upheavals visited upon our European soil and, as one of countless human beings, I can't claim any special place for myself except that, as an Austrian, a Jew, writer, humanist and pacifist, I have always been precisely in those places where the effects of the thrusts were most violent.
To newspapers and publishing houses I urge the use of fact over fiction, freedom of the press, and responsibility at all times.
Stalin was born Joseph Dzhugashvili in 1878 in Gori, Georgia, on the periphery of the Russian Empire. His father was a hard-drinking cobbler whose relationship with Joseph's mother, Keke Geladze, came to an end when the boy was around six years old.
Is the English press honest or dishonest? At normal times it is deeply dishonest. All the papers that matter live off their advertisements, and the advertisers exercise an indirect censorship over news. Yet I do not suppose there is one paper in England that can be straightforwardly bribed with hard cash. In the France of the Third Republic all but a very few of the newspapers could notoriously be bought over the counter like so many pounds of cheese.
I'm sold as a literary writer in Holland; I'm sold as crime fiction in England. I think of it as just literature.
I think December has always been the most haunted month, from the gothic-narrative point of view - a lot of Edgar Allan Poe stories are set in December. It's the last month of the year, and it's supposed to be sort of this mystical, spiritual month. And being Swedish, December is also the darkest month out of the year.
There's the fact that American fiction is basically the most apolitical fiction on the globe. A South American writer wouldn't dare think of writing a novel if it didn't allude to the system into which these people are orchestrated - or an Eastern European writer, or a Russian writer, or a Chinese writer. Only American writers are able to imagine that the government and the corporations - all of it - seem to have no effect whatsoever.
I try to treat every kick the same and I want to make every kick, let alone the kick at the end of the game.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
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