A Quote by Sylvia Day

Writing the 'Crossfire' series is deeply personal for me, and I love the whole process of it. — © Sylvia Day
Writing the 'Crossfire' series is deeply personal for me, and I love the whole process of it.
The '50 Shades' series is a Cinderella story, where the characters seemingly have no flaws. The 'Crossfire' series is very different in that these two characters are almost mirror images of each other.
I've also been writing with my guitarist, Ted Barnes, and he's amazing. Writing with him has taught me a lot about my own writing process, in the sense that it's incredably personal to write with someone else from scratch.
I love the whole process for each new album. The writing, the touring, everything. For me, it never gets old.
The process of writing a book has given me a whole new reverence for writers. Mechanically, it is a brutal process; emotionally, it's incredibly healing.
I love, love writing about Los Angeles. I love exploring every part of it. And I find, rather than a burden, it's actually one of the most enjoyable parts of the writing process for me. I love everything about L.A. Okay, not the traffic. But I love the way it looks. I love the geography. I love the diversity.
I've discovered I love the vast landscape a series offers. I tend to write long anyway, so, it turns out, series gives me the perfect vehicle for writing 'large' stories.
In writing a series of stories about the same characters, plan the whole series in advance in some detail, to avoid contradictions and inconsistencies.
The process of writing fiction is totally unconscious. It comes from what you are learning, as you live, from within. For me, all writing is a process of discovery. We are looking for the meaning of life. No matter where you are, there are conflicts and dramas everywhere. It is the process of what it means to be a human being; how you react and are reacted upon, these inward and outer pressures. If you are writing with a direct cause in mind, you are writing propaganda. It's fatal for a fiction writer.
I'd love to do another television series. I really love the writing process, and as an actor I really like how much you get to examine in television.
I love co-writing. That whole process is a challenge in that good writers are pushing you.
Feminism? The word itself means exactly the same thing to me as the word God does - it's a spirituality that is deeply personal, deeply subjective, and deeply no one else's business. You can identify the word however you want, it's just the non-exploration of it that is unacceptable to me.
Writing to me is a deeply personal, even a secret function and when the product I turned loose it is cut off from me and I have no sense of its being mine. Consequently criticism doesn't mean anything to me. As a disciplinary matter, it is too late.
Writing a whole series was a crash course in screenwriting, which is a very different muscle to standup comedy writing.
I've recently rediscovered Anthony Trollope. I used to read him back in college, and a friend turned me on to a whole new series of his work, 'The Palliser Series.' It's a series of seven or eight books.
Day by day night after night Blinded by the neon lights Hurry here, hustlin' there No one's got the time to spare Money's tight, nothin' free Won't somebody come and rescue me? I am stranded, caught in the crossfire Stranded, caught in the crossfire! Tooth for tooth, eye for an eye Sell your soul just to buy, buy, buy Beggin' a dollar stealin' a dime Come on can't you see that I I am stranded, caught in the crossfire
So it took me five years because in the interim I have been doing a lot of personal appearances and movies and some television series that went into the plumbing and I stopped writing for a while.
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