A Quote by Sylvia Day

I urge aspiring writers to write three full-length novels before contemplating publication. — © Sylvia Day
I urge aspiring writers to write three full-length novels before contemplating publication.
My first published novel, 'American Rust,' took three and a half years of full-time work to write. But I wrote two apprentice novels before that.
My first published novel, American Rust, took three and a half years of full-time work to write. But I wrote two apprentice novels before that.
I'm remembering one book that I wrote, 'Fourth Grade Rats,' that took a month to write, but most of them, full-length novels, I would say about a year.
We write to understand our deepest secrets to ourselves, to understand. We write in an outpouring of love. We write in secret, either for publication or for a journal no one will see, or we write poems to be privately printed for the eyes of friends alone - this is not our choice. The urge is to create. The outcome belongs to God.
A lot of aspiring writers are all ready to write a novel, but they don't know how to write sentences.
The most important thing for aspiring writers is for them to give themselves permission to be brave on the page, to write in the presence of fear, to go to those places that you think you can’t write - really that’s exactly what you need to write.
It's misleading to think of writers as special creatures, word sorcerers who possess some sort of magical knowledge hidden from everyone else. Writers are ordinary people who like to write. They feel the urge to write, and they scratch that itch every chance they get.
When a man does a household job, he goes through three periods: contemplating how it will be done; contemplating when it will be done; and contemplating.
I'm not going to write any more novels. I don't want to end up being one of these angry, bitter writers moaning that only three people are reading him. I don't want that.
Rejection is part of the process, so you can't let it crush you. My first three novels never made it into publication, but my fourth, 'Sheltering Rain,' was translated into 11 languages.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
My deal was that they would use a full-length picture of me in my underwear and a full-length picture of me all done up, and they would write about how long it took and how much it cost, because that was the whole point. It was very liberating.
I wrote eight full-length adult novels in my twenties. None of them were published
I wrote eight full-length adult novels in my twenties. None of them were published.
I tell aspiring writers that you have to find what you must write. When you find it, you will know, because the subject matter won’t let you go. It’s not enough to write simply because you think it would be neat to be published. You have to be compelled to write. If you’re not, nothing else that you do matters.
[M]y first published book had just appeared in stores. The last year of my life-the year of finishing it, editing it, and seeing it through its various page-proof passes-ranks among the most unnerving of my young life. It has not felt good, or freeing. It has felt nerve-shreddingly disquieting. Publication simply allows one that much more to worry about. This cannot be said to aspiring writers often or sternly enough. Whatever they carry within themselves they believe publication cures will not, I can all but guarantee, be cured. You just wind up with new diseases.
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