A Quote by Sylvia Day

Every writer follows a theme, and mine is survival. If you can't figure out what a writer's theme is, look at the books you are attracted to. — © Sylvia Day
Every writer follows a theme, and mine is survival. If you can't figure out what a writer's theme is, look at the books you are attracted to.
Every true writer is like a bird; he repeats the same song, the same theme, all his life. For me, this theme as always been revolt.
I'm a theological writer mistaken for a political writer. My theme is grace versus karma.
Ross McDonald had a greater influence on me than any other writer. His style of writing, the repeated theme of the past coming out to grab somebody, that's very attractive to me as a reader and, now, as a writer.
I found this really fantastic used record store in Japan, and I bought all these different records and different 45s, and one of the 45s was just, it had the theme, "Green Leaves of Summer," the theme to "The Alamo" on one side, and then on the flip side was a theme to, the theme to "The Magnificent Seven."
I'm sure you have a theme: the theme of your life. You can embellish it or desecrate it, but it's your theme, and as long as you follow it, you will experience harmony and peace of mind.
If I couldn't be a fiction writer, I would be a roller coaster designer for theme parks
Translated books rarely get reviewed in the press. Books or poems or works of art that don't seem to have a corresponding style or figure or theme, obviously they're hard to digest.
I hold any writer sufficiently justified who is himself in love with his theme.
The crime fiction genre offers the writer infinite diversity of theme and treatment.
I'm not that sort of writer where I can restrict myself to a theme, just in case nothing good comes of it.
The stories that confirm that bigger story are brought in and easily digested. But there's another set of stories that are always there, which do not confirm, but which complicate and contradict what we think we already know. And I'm always attracted to that. There doesn't seem to be much of a market for it. Translated books rarely get reviewed in the press. Books or poems or works of art that don't seem to have a corresponding style or figure or theme, obviously they're hard to digest.
I can think of no other writer who so thoroughly embodies the Jamesian spirit as Alison Lurie. Like him she can excavate all the possibilities of a theme. Like his, her books seem long, unbroken threads, seamless progressions of effects.
I think any writer keeps going back to some basic theme. Sometimes it's autobiographical. I guess it usually is.
When I work on a movie, I look at the script or watch the film, and I talk to my director or producers and make a plan: this is our main character; we need a theme for this plot. We need a love theme.
A novel's whole pattern is rarely apparent at the outset of writing, or even at the end; that is when the writer finds out what a novel is about, and the job becomes one of understanding and deepening or sharpening what is already written. That is finding the theme.
I probably am a cranky writer, but I am actually a fairly nice, normal person. Since I'm a grouchy writer, of course I have friends whose books are doing way better than mine.
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