A Quote by Sylvia Hoeks

I'm not an actor that works in front of a mirror, who tries to repeat her actions or whatever. — © Sylvia Hoeks
I'm not an actor that works in front of a mirror, who tries to repeat her actions or whatever.
I'm on the mirror diet. You eat all your food in front of a mirror in the nude. It works pretty good, though some of the fancier restaurants don't go for it.
I am the owner of my actions, heir to my actions, born of my actions, related through my actions, and have my actions as my arbitrator. Whatever I do, for good or for evil, to that I will fall heir.
I sit on the couch watching her arrange her long red hair before my bedroom mirror. she pulls her hair up and piles it on top of her head- she lets her eyes look at my eyes- then she drops her hair and lets it fall down in front of her face. we go to bed and I hold her speechlessly from the back my arm around her neck I touch her wrists and hands feel up to her elbows no further.
It's easy to be critical of ourselves and other women around us. We stand in front of the mirror and only focus on the things we hate about our body and our appearance. But I encourage you to change that attitude the next time you are in front of the mirror.
Way too high maintenance to be in a relationship with an actor. I don't need a man who spends as much time in front of the mirror as me.
An actor alone is a bit naked. Like when you do something in front of your mirror, you're usually really bad, because you're looking at yourself.
I feel something very small growing inside me as I look at her, and I realize in one absolutely clear moment that I don't like her at all. 'You know what?' I say. 'Forget it. I'll do the list by myself.' She stands up, swings her stupid hair about and tries to look offended. It's a trick that works with guys, but it makes no difference to the way I feel about her.
Most theater methodology is predicated on the idea of repeated actions. That's what you work toward. Having the actor repeat the same moment eight times a week. In a film, it's getting that one moment right.
In Latin you say: "Repetita iuvant - to repeat is beneficial". The fewer changes made in a country, the more often I repeat my messages. And it works.
I defy any British actor to deny they've not stood in front of the mirror and said: 'Bond, James Bond.'
When I woke the next morning in my room at White's Motel, I showered and stood naked in front of the mirror, watching myself solemnly brush my teeth. I tried to feel something like excitement but came up only with a morose unease. Every now and then I could see myself-truly see myself-and a sentence would come to me, thundering like a god into my head, and as I saw myself then in front of that tarnished mirror what came was 'the woman with the hole in her heart'. That was me.
Whatever I have achieved is all thanks to my team. I always say that I don't repeat actors as often as I repeat my technicians.
I still feel like the 10-year-old dancing in front of her mirror, mostly to 'No Strings Attached.'
As a child, I was fascinated by the stories of Dickens acting out everything in front of the mirror as he wrote it down. Later, when you approach his work as an actor, you notice how sayable the dialogue is.
As much as we like to pretend we're just getting on stage and whatever, it's like, no, I practiced in front of the mirror my whole life.
I used to stand in front of the mirror in my bedroom. I shared a bedroom - like a lot of people in my era, in my neighborhood - with my two brothers and an uncle. And I'd stand there in front of the mirror over the dresser and I would practice: meek young men grow up in libraries, believing it their duty to accept the views of Cicero, Bacon and Baba.
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