A Quote by Sylvia Hoeks

I love pretending more than reality. — © Sylvia Hoeks
I love pretending more than reality.
You're all Buddhas, pretending not to be. You're all the Christ, pretending not to be. You're all Atman, pretending not to be. You're all love, pretending not to be. You're all one, pretending not to be. You're all Gurus, pretending not to be. You're all God, pretending not to be. When you're ready to stop pretending, then you're ready to just be the real you. That's your home.
What I love about the theatre is that it's always metaphorical. It's like going back to being a kid again, and we're all pretending in a room. Sometimes, when the pretending really works, I find it much, much more moving than something on film.
Reality television is to television what marble and gold are to real estate. The point is to dispense with the idea of taste. It's all id. The more unrestrained the better. We all know that 'reality' in reality television is not real. That anybody who would participate in reality television is a fake. But pretending otherwise makes them real.
I'm getting so old - it's more uncomfortable to do those scenes now than when I was 20. I mean, I don't have a big problem with nudity on screen. But usually the days when you do those naked love scenes are the weirdest ones on set. Everyone is uncomfortable. You're like, 'Hi. How are you?' Then the next minute you're with an actress who you don't know and you're pretending to make love to her in front of all the crew. The acting challenge is pretending things are OK.
I would love to be that woman in a scarf and large glasses pretending I'm in a Fellini movie, but that's just not my reality.
The distinction between pretending you are better than you are and beginning to be better in reality is finer than moral sleuth hounds conceive.
These new technologies try to make virtual reality more powerful than actual reality, which is the true accident. The day when virtual reality becomes more powerful than reality will be the day of the big accident. Mankind never experienced such an extraordinary accident.
In the two or three or four months that it takes me to write a play, I find that the reality of the play is a great deal more alive for me than what passes for reality. I'm infinitely more involved in the reality of the characters and their situation than I am in everyday life. The involvement is terribly intense.
To deny that there was this dark side of life would be like pretending that the cold of winter was somehow only a temporary illusion, a way station on the way to the higher "reality" of long, warm, pleasant summers. But summer, it turned out, was no more real than the snow that melted in wintertime.
And that is the trouble with all lovers: they want more love, because they don't understand that the real desire is not for more love, but for something more than love. Their language ends with love; they don't know any way that is higher than love, and love does not satisfy. On the contrary, the more you love the more thirsty you become. At the fourth center of love, one feels a tremendous satisfaction only when energy starts moving to the fifth center.
Pretending is not just play. Pretending is imagined possibility. Pretending, or acting, is a very valuable life skill and we do it all the time.
The reality which is pretending be reality right now, impersonating reality, is just a pretty flimsy structure. There is not a lot of substance to it. You can't find people who are actively involved of affected by it. What you see is a completely different world, what you see is the world of the homeless, and so forth.
I remind myself that I don't have the ability to completely manipulate reality to be exactly what I want it to be. So now that reality is antithetical to what I want, how I can feel into it and act skillfully rather than react? How can I choose my best course of action while not pretending I don't have the pain, or running away from the pain, or blaming someone else for the circumstances of my life?
Images in the 20th century had a unique power where image became divorced from reality, and often more important than reality. Buildings were judged more by the way they looked in magazines than by the satisfaction people felt when using them.
To me there is nothing more sacred than love and laughter, and there is nothing more prayerful than playfulness. When you are in love, all fears disappear, and when you become love yourself, even death becomes irrelevant. Jesus is not very far away from the truth when he says, "God is love." Certainly God is power, the greatest power. I want to improve upon Jesus: I don't say God is love, I say love is God. To me God is only a symbol and love is a reality. God is only a myth - love is the experience of millions of people. God is only a word, but love can become a dance in your heart.
By means of the iconic, artists express their view of reality and show their understanding of the structure of reality. They see what they know and bring this into their paintings. ... They always give us more than the facts, more than the eye can see.
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