A Quote by Sylvia Kristel

You're much better off as a love goddess to die around the age of 40. — © Sylvia Kristel
You're much better off as a love goddess to die around the age of 40.
Grandmasters decline with age. That's a given. There is nothing special about the age of 40, but age eventually takes its toll. That much is clear. Beyond that it's about how long you can put off the effects and compensate for them. Mistakes will crop in but you try to compensate for them with experience and hard work.
Grandmasters decline with age. That's a given. There is nothing special about the age of 40, but age eventually takes its toll. That much is clear. Beyond that, it's about how long you can put off the effects and compensate for them. Mistakes will crop in, but you try to compensate for them with experience and hard work.
I was born a Love Goddess. My parents, Caesar and Joanne, always told me that I was a little Goddess and Petite Flower. I was a Petite Flower, and I had all these brothers who were always trying to boss me around. I told them, "No. You must kiss my hand or kiss my feet". That's how I became the Goddess.
The "18/40/60" rule to happiness: At age 18, people care very much about what others think of them. By age 40, they learn not to worry what others think. By age 60, they figure out that no one was thinking about them in the first place.
I've always said when age or infirmity gets the better of me, I'm off to whichever civilised country lets the elderly die with dignity.
Better to love God and die unknown than to love the world and bea hero; better to be content with poverty than to die a slave towealth; better to have taken some risks and lost than to havedone nothing and succeeded at it.
There is so much more than that little space from 14 to 40. And if you cut that off and begin to believe that you are not good past a certain age, then you end up scared and insecure and afraid. That is definitely NOT beautiful.
Better to die of something than to die in old age of nothing.
Age is a very psychological thing; I do not know how old I am if you ask my age. Age is calculated by when you get born, but I do not agree with that parameter. I sometimes feel like 25, sometimes 12 and at times 40, and I love that about myself as an artist. I am not stuck to a particular age.
My daughter was five when I was writing 'Minari,' very much close to the age of David. And I was about to turn 40, which was the age my dad was when he decided he was going to start this farm in Arkansas.
I probably use email the most. I dunno if that counts as an app. I try to stay off my electronics as much as possible. Real life is happening all around you; you're better off just being a part of it.
Obviously if you're Coppola going into 'Apocalypse Now' off the back of the two 'Godfathers,' you're in a much better position than coming off the back of something like 'Dust Devil,' which had scarcely been released, and was pretty much lying around in film cans in different places.
I love Notting Hill and Westbourne Grove - there is so much life and vitality around Portobello and Ladbroke Grove. It has come up a lot since I started Virgin more than 40 years ago, but there is so much character.
I mean we know that some choice makes you better off than no choice. Now do we get better off if we go from a lot of choice versus a few choices? And there I think the answer is much, much, much more complicated.
Acting, like wine, gets better as time goes on. Singing gets better after a certain age. The dancer peaks at 35 or 40.
Venus, a beautiful, good-natured lady, was the goddess of love; Juno, a terrible shrew, the goddess of marriage: and they were always mortal enemies.
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