A Quote by Sylvia Plath
Let me live, love and say it well in good sentences.
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These days, I like to think of sentences as workers. Only one of their jobs is to look and sound good. Sentences are the carriers of plot. They're the conjurers of images, the conveyors of tone and meaning and voice. The best sentences surprise us.
I love you. I'm madly in love with you. Well, madly obviously, given I'm mad as a mudlark. But you saved my life. I'd be dead without you. And you're so good to me. And you love me too. How lucky is that? Amazing! Amazingly lucky. I can't live without you. You're my lucky charm." She felt a sudden desire to kill Justin's well-meaning friend.
For if God is man's chief good, which you cannot deny, it clearly follows, since to seek the chief good is to live well, that to live well is nothing else but to love God with all the heart, with all the soul, with all the mind.
A lot of writers fall in love with their sentences or their construction of sentences, and sometimes that's great, but not everybody is Gabriel Garcia Marquez or James Joyce. A lot of people like to pretend that they are, and they wind up not giving people a good read or enlightening them.
If anybody asks me what I have accomplished, I will say all I have accomplished is that I have written a few good sentences.
I loved and still love watching words flower into sentences and sentences blossom into stories.
I hope that my ideas attract a lively dialogue, even if my sentences are simple. Simple sentences have always served me well. And I don't use semicolons. It's hard to read anyway, especially for high school kids. Also, I avoid irony, too. I don't like people saying one thing and meaning the other.
I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it's painful gall-stones, it's gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul.
The question is not whether a picture is good, in some formal, technical sense, but, does it mean what I need it to mean? Writers can edit sentences that may be well-crafted but that don't express an intended thought. But in photography, there are no revisions: A photograph is in or it's out, and the photographer must live with the consequences of his or her choices.
To seek the greatest good is to live well, and to live well is nothing other than to love God with the whole heart, the whole soul, and the whole mind: It is therefore obvious that this love must be kept whole and uncorrupt, that is temperance; it should not be overcome with difficulties, that is fortitude, it must not be subservient to anything else, that is justice; it must discriminate among things so as not to be deceived by falsity or fraud, that is prudence.
Things are going so well. We’re volleying words back and forth. Everything she says, I have something I can say back. We’re sparking, and part of me just wants to sit back and watch. We’re clicking. Not because a part of me is fitting into a part of her. But because our words are clicking into each other to form sentences and our sentences are clicking into each other to form dialogue and our dialogue is clicking together to form this scene from this ongoing movie that’s as comfortable as it is unrehearsed.
The Queen's Pride was his ship, and he loved her. (That was the way his sentences always went: It is raining today and I love you. My cold is better and I love you. Say hello to Horse and I love you. Like that.)
Sometimes it's hard to say no. Ultimately, if you stick to your guns, you have the career that you want. Don't get me wrong. I love a good payday and I'll do films for fun. But ultimately my main goal is to do good work. If it doesn't pay well, so be it.
We live in an age where people are like, "I'd love to catch up. Maybe text me later? But don't call because I don't really listen to my messages. But if you text me..." We've displaced interaction into sound bites and untethered phrases and sentences that come up on the phone as Twitter feed.
My dad speaks a lot of sense and keeps me grounded. He'll watch me play and, if I've done well, he'll have a quiet word with me and say, 'Well done.' If I've had a not-so-good game, he'll let me know about it.
I don't understand people who just live to exist, live to be OK. Live to be regular, live to be average. It doesn't make any sense to me. I live to be the best. I don't live to be good. You only get one life, and I live to be great. I live to be special.
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