A Quote by Sylvia Plath

In a rabbit-fear I may hurl myself under the wheels of the car because the lights terrify me, and under the dark blind death of wheels I will be safe. I am very tired, very banal, very confused. I do not know who I am tonight. I wanted to walk until I dropped and not complete the inevitable circle of coming home.
We don't let a car company just throw out a car and start driving it around without checking that the wheels are fastened on. We know that would result in death; but for some reason we have no hesitation at throwing out some algorithms untested and unmonitored even when they're making very important life-and-death decisions.
But she did not take her eyes from the wheels of the second car. And exactly at the moment when the midpoint between the wheels drew level with her, she threw away the red bag, and drawing her head back into her shoulders, fell on her hands under the car, and with a light movement, as though she would rise immediately, dropped on her knees. And at the instant she was terror-stricken at what she was doing. 'Where am I? What am I doing? What for?' She tried to get up, to throw herself back; but something huge and merciless struck her on the head and dragged her down on her back.
A movie, it's like a very complicated timepiece. There's a lot of wheels in a watch. And some of those wheels, if they don't turn right, then, you know, the watch ain't gonna tell the time.
Who are you?" "I am Death," said the creature. "I thought that was obvious." "But you're so small!" "Only because you are small. You are young and far from your Death, September, so I seem as anything would seem if you saw it from a long way off-very small, very harmless. But I am always closer than I appear. As you grow, I shall grow with you, until at the end, I shall loom huge and dark over your bed, and you will shut your eyes so as not to see me.
I am very, very aware at all times. I'm watching myself, I'm listening to myself, I'm judging myself, critiquing myself all the time, and I will know when I do something and I will immediately say, "Can I do another one, because I didn't quite get that thing," or that I wanted to do something there and it didn't quite work.
In spite of the fact that everyone thinks I am very much a rottweiler - that i am very dark and everything - I have a side that is very romantic that i show to very few people.
I will cross that bridge when it comes. I am not stupid. I am a very bright guy. I know that in the fighting game, you get people who get brain damage and do themselves long-term harm. I am into it in a big way, and I am good at it, and I am going to get very, very rich and then I will get out and we will see what comes after that.
I am the living death, a Memorial Day on wheels. I am your Yankee Doodle Dandy, your John Wayne come home, your Fourth of July firecracker exploding in the grave.
I was genuinely happy when I wrote that song [Training Wheels] and very in love. That's a very rare emotion to evoke out of me.
The pressure is always very high. I am the client, and when I am the client, I need to fight with the photographer or with the stylists or with all the people that are on the set, because I am the only one who has a very specific vision. I always have the pressure, either from myself or from the company. I am a control freak. It's part of my culture. I know that I am still working to build a Frida moment at Gucci.
People think I am crazy because they see me doing stand-up, but I am generally not. I am very sad. I'm one of those guys that lights candles and listens to Rachmaninoff.
I grew up in a very culturally diverse area of America, and I am very proud to come from there. I am also proud that my inner circle of friends has never been defined by race but by the content of their character. Any former teammate or anyone who has met me can attest to this, and I pride myself on not being a judgmental person.
I am very happy at Givenchy and it is a moment in which I am bringing the game to the next level. I feel at home. It's as if it were my son. I don't know how to explain it. It would be very difficult for me to leave.
After I started Slipknot, I was very honored because I got in touch with the masses. But I was very down on myself because I dropped out of college, which meant I dropped out on myself.
I am dead already. Physical death will make no difference in my case. I am timeless being. I am free of desire or fear, because I do not remember the past or imagine the future. Where there are no names and shapes, how can there be desire and fear? With desirelessness comes timelessness. I am safe, because what is not, cannot touch what is. You feel unsafe, because you imagine danger. Of course, your body as such is complex and vulnerable and needs protection. But not you. Once you realize your own unassailable being, you will be at peace.
Maybe I was 7 - I probably am exaggerating a little - and immediately was plunged into the fact that there was an official place to put your fantasies. Up until then I didn't know what I would do with them all. It was very exciting for me, and I began very, very early on.
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