A Quote by Sylvia Plath

The moon has nothing to be sad about,
Staring from her hood of bone.
She is used to this sort of thing.
Her blacks crackle and drag. — © Sylvia Plath
The moon has nothing to be sad about, Staring from her hood of bone. She is used to this sort of thing. Her blacks crackle and drag.
Or had she always loved him? It's likely. Restricted as she was from speaking, she wanted him to kiss her. She wanted him to drag her hand across and pull her over. It didn't matter where. Her mouth, her neck, her cheek. Her skin was empty for it, waiting.
For a moment she turned in a circle, staring at her hands, which she held high and useless, close to her breast. She bobbed and shambled like an ape doing a trick, and her face was the silly, bewildered face of a joker's victim. And yet she could make no move that was not beautiful. Her trapped terror was more lovely than any joy that Molly had ever seen, and that was the most terrible thing about it.
I could distinguish the shape of her bosom, her arms, her thighs, just as I remember them now, just as now, when the Moon has become that flat, remote circle, I still look for her as soon as the first sliver appears in the sky, and the more it waxes, the more clearly I imagine I can see her, her or something of her, but only her, in a hundred, a thousand different vistas, she who makes the Moon the Moon and, whenever she is full, sets the dogs to howling all night long, and me with them.
There are two kind of men,' said Ka, in a didatic voice. 'The first kind does not fall in love until he's seen how the girls eats a sandwich, how she combs her hair, what sort of nonsense she cares about, why she's angry at her father, and what sort of stories people tell about her. The second type of man -- and I am in this category -- can fall in love with a woman only if he knows next to nothing about her.
Just like Marilyn Monroe is a lot of girls' idol, that's how I feel about Dorothy Dandridge. And she any Marilyn were very close friends. She went through a lot, and people told her that she couldn't do certain things, but she didn't let that bother her. She said in her mind that she was going to do them and that nothing was impossible, and she did it. It was so sad... She died from drugs, and drinking as well.
Hermione drew herself to her full height; her eyes were narrowed and her hair seemed to crackle with electricity. "No," she said, her voice quivering with anger, "but I will write to your mother.
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
She ran her hands over her body as if to bid it good-bye. The hipbones rising from a shrunken stomach were razor-sharp. Would they be lost in a sea of fat? She counted her ribs bone by bone. Where would they go?
And then I feel as if I'm witnessing a miracle, as ever so slowly she raises her face towards the moon. I watch her drink in the sight, sensing the flood of memories she's unleashed and wanting nothing more than to let her know I'm here. But instead I stay where I am and stare up at the moon as well. And for the briefest instant, it almost feels like we're together again.
When she fell asleep, she dreamed of death-- not just for her, not just for her species, but for every living thing she had ever known. The earth was flat and brown, a field of dirt as barren as the moon, a single road stretching in the distance. the last to fall were the buildings, distant and solemn, the gravestones for an entire world. Then they disappeared, and there was nothing left but nothing.
The moon, also, is merciless: she would drag me Cruelly, being barren. Her radiance scathes me. Or perhaps I have caught her.
I had a drag mom but she didn't really teach me about makeup. She just basically stuck me into gigs. And then I borrowed clothes from her and her drag to play the gigs.
If the next car passed is blue, Violet will be okay, she thought. If it's red, A will do something horrible to her. She heard a growl of an engine and shut her eyes, afraid to see what the future might hold. She'd never cared so much about anything in her life. Just as the car was passing, she opened her eyes and saw a Mercedes hood ornament. She let out a long sigh, tears coming to her eyes once more. The car was blue.
In her way, she was a hard one. Faith in any sort of natural justice was nothing but a night light; she knew of that. Whatever she did, she would end the same way with everyone does: flat on her back with a tube in her nose, wondering, "Is this all?
The instant she saw the letter she squinted her eyes and bent her lips in a tough tiny smile that advanced her age immeasurably. "Darling," she instructed me, "would you reach in the drawer there and give me my purse. A girl doesn't read this sort of thing without her lipstick.
She looked into the staring glass eyes and complacent face, and suddenly a sort of heartbroken rage seized her. She lifted her little savage hand and knocked Emily off the chair, bursting into a passion of sobbing- Sara who never cried.
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