A Quote by Sylvia Plath

If you dissect a bird / to diagram the tongue, / you'll cut the chord / articulating song. — © Sylvia Plath
If you dissect a bird / to diagram the tongue, / you'll cut the chord / articulating song.
When on a summer's morn I wake, And open my two eyes, Out to the clear, born-singing rills My bird-like spirit flies. To hear the Blackbird, Cuckoo, Thrush, Or any bird in song; And common leaves that hum all day Without a throat or tongue. And when Time strikes the hour for sleep, Back in my room alone, My heart has many a sweet bird's song - And one that's all my own.
I always think of each night as a song. Or each moment as a song. But now I'm seeing we don't live in a single song. We move from song to song, from lyric to lyric, from chord to chord. There is no ending here. It's an infinite playlist.
My songs, they have just the one chord, there's none of that fancy stuff you hear now, with lots of chords in one song. If I find another chord I leave it for another song.
You needn't tell a bird it's a bird. Or remind a fish of its purpose. It's only us who lose our way. We have names because we must. - from Golden Tongue: The Poems of Steven Slaughter
I've never used the word jamming. It's a matter of finding a great song and learning the chords, then slightly altering the vocal melody, and matching a classic chord progression with another chord progression.
I am a song bird, I am a meek song bird, I offer my prayer to the Lord.
Sometimes an unexpected chord change can be the difference between a good song and a great song.
I remember researching a really complicated article and having trouble keeping track of all the different perspectives. I ended up drawing a diagram to help myself follow how the ideas were interrelated. I looked at the diagram when I had finished and thought, "Oh, maybe I don't need to write the article now - maybe I've done my job as a journalist. I can convey my understanding through the diagram."
Like the ability of all the musicians to end the song at the right time. Or when it's time for a chord change, but nobody knows what the chord should be, and you all, you know, it all just changes, magically, at the same time. It's when you pick up your phone to call someone and that person is calling you.
Then I began to play. Variations on a G major chord, the most wonderful chord known to mankind, infinitely happy. I could live inside a G major chord, with Grace, if she was willing. Everything uncomplicated and good about me could be summed up by that chord.
I can't remember the first song I learned to play on bass, but the first song I learned to play on guitar was 'For Your Love' by the Yardbirds. That kind of was the beginning for me. I thought it was a great song and I loved the open chord progression at the beginning of that song.
We were on a tour, and there were some chord formations that were tough for me to play when I was a kid...it had become apparent that there was some stuff I wanted to do that [would require me] to learn how to do that. So I wrote the song and used some of these chord formations so I would have to play them. I thought it would be a great teaching vehicle for a while, and it was, but it ended up as a performance song.
It doesn't take much for anyone to pick up anything I play - it's quite simple. I go for a good song. And if you hear a good song, you don't dissect it - you just listen, and every bit seems right.
When I got to sit in Big Bird's nest with Big Bird and sing the song, 'Sing. Sing a song. Sing out loud,' that was my crowning achievement.
The very funny thing about "Like A Rolling Stone" is it was a six minute song, there was no music to read from. And there I was playing this unfamiliar instrument. So I would come in on the upbeat of one. I would wait until the band played the chord, and then as quickly as I could come in play the chord.
And turkeys are a bird. A very nervous bird. You'd be nervous too if you knew that one day you'd get your head cut off and... filled with stuffing.
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