A Quote by Sylvia Plath

But when I took up my pen, my hand made big, jerky letters like those of a child, and the lines sloped down the page from left to right horizontally, as if they were loops of string lying on the paper, and someone had come along and blown them askew.
I have a real aversion to machines. I write with a pen. Then I read it to someone who writes it onto the computer. What are those computer letters made of anyway? Light? Too insubstantial. Paper, you can feel it. A pen. There's a connection. A pen goes exactly at your speed, whereas that machine jumps. And then, that machine is waiting for you, just humming "uh-huh, yes?
I took my coffee into the dining room and settled down with the morning paper. A woman in New York had had twins in a taxi. A woman in Ohio had just had her seventeenth child. A twelve-year-old girl in Mexico had given birth to a thirteen-pound boy. The lead article on the woman's page was about how to adjust the older child to the new baby. I finally found an account of an axe murder on page seventeen, and held my coffee cup up to my face to see if the steam might revive me.
I saw a few lines from a few, there were hundreds of them, all [Adolf Hitler] letters and [Eva Braun] replies written on carbon paper. I just saw that her letters to him were lengthy, his were much shorter. I wouldn't intrude on their privacy and I had given her my word.
She says there are stories everywhere and that people who wait for the right one to come along before setting pen to paper end up with very empty pages.
I think what`s happening is that you`re seeing change from existing and kind of a left right political paradigm to one that is being made into something different. Maybe an up down paradigm, or something along those lines. It`s a dramatic change. It`s a shift I think of all different in language.
I've been in a serious conversation with one of my children, and a fan has come up. I've been in a public bathroom and had the hand come under the stall with a paper and pen. That sort of thing anybody can live without.
I don't even own a computer. I write by hand then I type it up on an old manual typewriter. But I cross out a lot - I'm not writing in stone tablets, it's just ink on paper. I don't feel comfortable without a pen or a pencil in my hand. I can't think with my fingers on the keyboard. Words are generated for me by gripping the pen, and pressing the point on the paper.
Words? I tell you not to write me letters; I command you. Is it not enough to want you so in vain, but you send me what evokes you here before me -- this paper, all along whose lines your hand has lain?
Someone once told me that children are like kites. You struggle just to get them in the air; they crash; you add a longer tail. Then they get caught in a tree; you climb up and bring them down, and untangle the string; you run to get them aloft again. Finally, the kite is airborne, and it flies higher and higher, as you let out more string, until it's so high in the sky, it looks like a bird. And if the string snaps, and you've done your job right, the kite will continue to soar in the wind, all by itself.
A pen is different from the pad, the key, moving your fingers across a screen. I like both. I like to work on sketchbooks, big old white sketch paper. I like how that feels, and I like to put different media on it. Then there's the phone, smartphone, iPad: It's the new page, and it's not the same page anymore.
I left my frogs, which I had grown, with my supervisor, who had moved to Geneva, and he and a technician grew them up. So by 1962, they were adults, and one could publish a paper to say that these animals, derived from nuclear transfer, really were absolutely normal. So it took a little time to get through.
I was getting bored and, I think, being a real pest. I remember Brando coming and sitting on the bed and cutting out the most exquisite paper fish, with detailed scales and fins. Then he took a hotel pen and a piece of string and made a fishing pole.
They done Wrong Like ink from a busted pen Thrown away 'cause of someone else Used up But he come back Dressed in night Fine as a king With his queen The wrong Made right So right.
I sometimes wish desperately that I could write like someone else, be someone else. No one particularly. Just if I could put the pen down on paper and suddenly come out in a totally different way.
It happened in New York, April 10th, nineteen years ago. Even my hand balks at the date. I had to push to write it down, just to keep the pen moving on the paper. It used to be a perfectly ordinary day, but now it sticks up on the calendar like a rusty nail.
It had the old double keyboard, an entirely different set of keys for capitals and figures, so that the paper seemed a long way off, and the machine was as big and solid as a battle cruiser. Typing was then a muscular activity. You could ache after it. If you were not familiar with those vast keyboards, your hand wandered over them like a child lost in a wood. The noise might have been that of a shipyard on the Clyde. You would no more have thought of carrying one of those grim structures as you would have thought of travelling with a piano.
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