A Quote by Sylvia Plath

And I identify too closely with my reading, with my writing. — © Sylvia Plath
And I identify too closely with my reading, with my writing.
Two kinds of reading can be distinguished. I call them reading like a reader and reading like a writer ... when you read like a reader, you identify with the characters in the story. The story is what you learn about. When you read like a writer, you identify with the author and learn about writing.
I identify with the characters very closely. At the same time that I`m outside, writing, I`m also inside, experiencing, and it can be very unsettling.
You are not your idea, and if you identify too closely with your ideas, you will take offense when they are challenged.
I wrote my book 'The Amorous Busboy Of Decatur Avenue' completely like a writer does, writing it down, re-writing everything. But in my stand-up, I improvise initially, never questioning it too closely.
I do believe that in every age there are people whose consciousness transcends their own time and that these people, whether fictional or historical, are those with whom we most closely identify and those about whom we most enjoy reading.
THE WRITER can get free of his writing only by using it, that is, by reading oneself. As if the aim of writing were to use what is already written as a launching pad for reading the writing to come. Moreover, what he has written is read in the process, hence constantly modified by his reading. The book is an unbearable totality. I write against a background of facets.
Reading usually precedes writing. And the impulse to write is almost always fired by reading. Reading, the love of reading, is what makes you dream of becoming a writer.
I identify as an agent when I'm agenting, and I identify as an author when I'm writing. I expect both those things to be true for as long as I'm able to do them.
I'm not a fan of mysteries, so to prepare for this experience of writing a mystery I started reading the most successful ones in the market in 2012. And I realized I cannot write that kind of book. It's too gruesome, too violent, too dark; there's no redemption there.
I do believe that one's writing life needs to be kept separate from Po-Biz. Personally, I deal with this by not attending too many poetry readings, primarily reading dead poets or poems in translation, reading Poets & Writers only once for grant/contest information before I quickly dispose of it, and not reading Poetry Daily. Ever.
So many (too many) books are published every year, and it seems everyone is writing a book. Perhaps we should all be reading more and writing less!
Vacation reading is not a new concept. Ever since the 19th century, when novels were considered relatively sinful indulgences, leisure and fiction-reading have been closely associated.
It is a bit more challenging for the simple fact that now the stories I am writing are relying more on my imagination than on facts, more on research than on memory; so it is basically a slower writing process, more reading, more exploring. On the other hand, this approach is a little bit relieving too, since many times while writing [How the Soldieer Repairs the Gramophone] I felt too close and equal to my character.
I never think about the actual process of writing. I suppose I have a superstition about examining it too closely.
I prefer reading to writing. Reading changes your world view. Writing changes absolutely nothing. Except, of course, when it makes you rich.
Everyone in the South has no time for reading because they are all too busy writing.
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