A Quote by Sylvia Plath
It seems this is an age of clever critics who keep bewailing the fact that there are no works worthy of criticism.
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There will always be critics. On one hand, criticism can be positive. On the other hand, criticism can be negative. But critics will always be watching the game. If you listen to everybody, you can go crazy. I have my own point of view, and I always try to keep it.
Someone has said that even criticism is better than silence. I don't agree to this. Criticism can be very harmful unless it comes from a master; and in spite of the fact that we have hundreds of critics these days, it is one of the most difficult of professions.
I think one should take criticism in one's stride and prove oneself. In fact, I would like to thank my critics as their criticism gave me the fire and passion to prove myself.
First one gets works of art, then criticism of them, then criticism of the criticism, and, finally, a book on The Literary Situation , a book which tells you all about writers, critics, publishing, paperbacked books, the tendencies of the (literary) time, what sells and how much, what writers wear and drink and want, what their wives wear and drink and want, and so on.
Read as little as possible of literary criticism - such things are either partisan opinions, which have become petrified and meaningless, hardened and empty of life, or else they are just clever word-games, in which one view wins today, and tomorrow the opposite view. Works of art are of an infinite solitude, and no means of approach is so useless as criticism.
In fact, to gull a fool seems to me an exploit worthy of a witty man.
The Eugenic Society . . . is perpetually bewailing the fact that wage-earners breed faster than middle-class people.
Two kinds of people live a life without care: one kind are extremely worthy of praise, the other kind are extremely worthy of criticism. The first are those who care nothing for the pleasures of the world and the second (i.e. those who are deserving of criticism) care nothing for haya or modesty.
The culture of independent film criticism has totally gone down the drain and this seems to come with the territory of the consumer age that we are now living in.
Every age fraught with discord and danger seems to spawn a leader meant only for that age, a political giant whose absence, in retrospect, seems inconceivable when the history of that age is written.
If the men of wit and genius would resolve never to complain in their works of critics and detractors, the next age would not know that they ever had any.
As far as criticism, I don't mind critics. I mean, I wrote for 'Rolling Stone' for a hot minute. I like criticism. I enjoy criticism. The thing I don't like is cruelty for cruelty's sake. You don't have to be a jerk to say something negative. You can say something in the negative sense and have class.
Since the age of six I have had the habit of sketching forms of objects. Although from about fifty I have often published my pictorial works, before the seventieth year none is worthy.
I think that female musicians are constantly fighting an uphill battle in general. Even when I'm not writing heartbreak songs... the fact that songwriting is so difficult and music criticism has become so content driven means that sometimes critics can go for the easy descriptors rather than an in-depth analysis.
It is the will of God that we must have critics, and missionaries, and Congressmen, and humorists, and we must bear the burden. Meantime, I seem to have been drifting into criticism myself. But that is nothing. At the worst, criticism is nothing more than a crime, and I am not unused to that.
I use biography, I use literary connections (as with Platen - this seems to me extremely helpful for appreciating the nuances of Mann's and Aschenbach's sexuality), I use philosophical sources (but not in the way many Mann critics do, where the philosophical theses and concepts seem to be counters to be pushed around rather than ideas to be probed), and I use juxtapositions with other literary works (including Mann's other fiction) and with works of music.
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