A Quote by Sylvia Plath
Didn't you know I'm going to be the greatest, most entertaining author and artist in the world? Well, don't feel badly, I didn't either!
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I looked at myself, and I just said, well, you know, I can sing but I'm not the greatest singer in the world. I can play guitar very well, but I'm not the greatest guitar player in the world... And so I said, well, if I'm going to project an individuality, it's going to have to be in my writing.
I looked at myself, and I just said, 'Well, you know, I can sing, but I'm not the greatest singer in the world. I can play guitar very well, but I'm not the greatest guitar player in the world.' So I said, 'Well, if I'm going to project an individuality, it's going to have to be in my writing.'
In the world of comedy, there's this: "If it's going badly, get off. If it's going well, get off". You can't argue with that either.
I used to always throw in random questions. I'd have to ask about artist's single and their writing process, which I know is every artist's most-hated question, like, "Well what was ,your process?" And it's. like, "Well, I wrote this album." And then at the end I would throw in, like, "So, Seinfeld or Simpsons?" and they'd be so thrown, because everything else could be autopilot. All my greatest moments were from the most sporadic questions.
The stories I love the most are where the author has a lot of empathy for everyone. The author loves their characters and takes their situations really seriously, and you feel like you're just dropped into a different world.
When it's going well [writing] goes terribly fast. It isn't at all surprising to write a chapter in a day, which for me is about twenty-two pages. When it's going badly, it isn't really going badly; it's just the beginning.
When you go to an audition, don't hang on to it because no matter how well you feel it went or how badly, you just never know what the outcome is going to be.
I feel very badly about anybody that's sick and in a wheelchair or not doing well. But you know, you have to go, 'Life is a poker game, and we're going to play our cards somehow.'
Love removes the world for you, and just as surely when it's going well as when it's going badly.
An entertainer is someone who pleases others, and an artist tries to please himself. An artist is on a journey: they don't know where they're going, what is going to happen, but they know they are not there yet, and there is some continuity and growth. I think of myself as an entertainer: I'm a performing entertainer, I'm a stand-up comic. But there's an artist at work here, too. One who interprets his world through his own filter.
I majored in religion for my entire undergraduate career at Duke University and then I went to seminary for a year unsure whether or not I really had the call to be a minister. I spoke with a pastor of my home church and told him I was going to seminary. He said "Do you feel the call to be a minister?" and I said "Honestly, I don't. I know it's the greatest call you could have but I'm not feeling that call myself. He said "Well, you know, you're wrong. It's not the greatest call. The greatest call is whatever calling God has for you."
I hate divers, like Cristiano Ronaldo, who might be the greatest athlete in the sport, but he's a big baby. If things are going well he's great, but when things are going badly it's the ref's fault, it's his teammates' fault.
I am not agnostic. I am atheist. I don’t think there is no God; I know there’s no God. I know there’s no God the same way I know many other laws in our universe. I know there’s no God and I know most of the world knows that as well. They just won’t admit it because there’s another thing they know. They know they’re going to die and it freaks them out. So most people don’t have the courage to admit there’s no God and they know it. They feel it. They try to suppress it. And if you bring it up they get angry because it freaks them out.
Many contemporary painters feel that their landscapes come from within and are brought to the surface and given form as a result of various stimuli. The artist's internal world is waiting to be evoked by whatever means the artist finds most productive, and... this world is just as important as the outer, visible world.
I imagine I was supposed to become a lawyer or something. But this was the Depression; the lawyers I saw were all driving cabs. So I thought, 'Well, if I'm going to be badly off anyway, I might as well be badly off in the theater, where you get used to it.'
With 'Utopia,' definitely it's more the idea of trying to put across a message rather than just entertaining the audience. It's entertaining as well, but there's also a lot of other things that are going on.
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