A Quote by Sylvia Townsend Warner
... the advantages of being a postman seemed more and more dubious. It is not a congenial profession for anyone who is at all sensitive, for people visit upon the postman all their first annoyance at receiving a couple of bills when they looked for a love-letter, and if a packet is insufficiently stamped they hand over the pennies as though to a despicable bandit, too outrageous to be denied, too groveling to be feared.
Related Quotes
A letter is an unannounced visit, the postman the agent of rude surprises. One ought to reserve an hour a week for receiving letters and afterwards take a bath.
My old man works in the postal service, my mum in a hospital and my brother in a factory. They're my family and when I play rugby I'm representing them. But coming out was different. More than anyone, I feared for my father. I used to be a postman myself and so I know that working environment.
When I did a sitcom and played a postman, I was brought to tears playing that postman, because I felt like one. I didn't grow up even wanting to be a post man. Now, I understand the meaning of the term "postal." I was bored to tears. And what was funny was that the producer actually looked like a bug.
As people who are women, who are Indigenous and live on Indigenous lands, we know, and this is something I understand the older I get, that they don't visit the same way the postman may visit but they do visit. They visit in ways that our modern society often disregards and considers immaterial or unreal.
Tohru: Call a doctor, or a vet, or anybody! Oh, Mr. Postman, it's terrible! You see, they're animals!
Postman: Uh, yes, they certainly are. Here's your mail.
For me, selfishly, The Postman didn't kill my career. It meant I didn't shoot straight and painfully into the limelight, but Rushmore came out of it. No one would have known where I was to cast me in Rushmore had I not been in The Postman. Because they shared a producer. Nor would I have been in The Sixth Sense. Nor would I be speaking to you now if Kevin Costner hadn't cast me in The Postman.
Hope is the letter that never arrives delivered by the postman of my fear.
I'm really much more like Phil Potter from [the 1979 film] Starting Over. People do think I'm the Bandit [from Smokey and the Bandit ], and I'm a lot more serious than that.
You can't love anyone that way more than once in a lifetime. It's too hard and it hurts too much when it ends. The first boy is always the hardest to get over, Haven. It's just the way the world works.
This letter [to the Romans] is truly the most important piece in the New Testament. It is purest Gospel. It is well worth a Christian's while not only to memorize it word for word but also to occupy himself with it daily, as though it were the daily bread of the soul. It is impossible to read or to meditate on this letter too much or too well. The more one deals with it, the more precious it becomes, and the better it tastes.
Umpires are necessary evils. That's just the nature of the beast. For years, people have looked on umpiring as a job they could get any postman to do.
I've been ripped for being too sensitive, but I do think people need to walk in another person's shoes before they accuse them of being too sensitive.
You loved people and you came to depend on their being there. but people died or changed or went away and it hurt too much. The only way to avoid that poin was not to love anyone, and not to let anyone get too close or too important. The secret of not being hurt like this again, I decided, was never depending on anyone, never needing, never loving.It is the last dream of children, to be forever untouched.
What people that are professionals in the art world - both in literature and the other arts - always try to do is to recognize the feasibility of making the transition from the particular to the general - to make the transition from the portrait of one postman - to take Van Gogh, for example, to something that is every postman. That synecdotal transition that most selfies don't make. But we who live in this world, and not simply in our private realities, understand that that's the transition our art has to make.
I always say people would rather be nice than right. I like to be nice too, but come on. People frequently ask me, what is my definition of politically correct. My answer is always the same: the elevation of sensitivity over truth. People would rather be nice than right, rather be sensitive than true. Well, being nice and sensitive are important, but they're not more important than being right; they're not more important than the truth.
Love, they say, enslaves and passion is a demon and many have been lost for love. I know this is true, but I know too that without love we grope the tunnels of our lives and never see the sun. When I fell in love it was as though I looked into a mirror for the first time and saw myself. I lifted my hand in bewilderment and felt my cheeks, my neck. This was me. And when I had looked at myself and grown accustomed to who I was, I was not afraid to hate parts of me because I wanted to be worthy of the mirror bearer.
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