A Quote by Sylvie Guillem
I am only interested in being famous for my dancing. For me, the concept of the sacred monster is only about the stage - it is not about image.
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I started doing comedy because that was the only stage that I could find. It was the pure idea of being on stage. That was the only thing that interested me, along with learning the craft and working, and just being in productions with people.
I don't have any romanticism about any part of my past. I think of it only inasmuch as it gave me pleasure or helped me grow psychologically. That is the only thing that interests me about yesterday. I don't believe in yesterday, by the way. You know I don't believe in yesterday. I am only interested in what I am doing now.
I've never worried about being rich or famous - for me, it's all about the dancing.
Indie rock is just as susceptible - if not more susceptible - to all the gross things about people becoming total ass clowns in music, and only worrying about money and image. I'm not interested in being a part of that.
I'm busier than ever and it's led to new opportunities. But I've never worried about being rich or famous - for me, it's all about the dancing.
I was really interested in the ritual of fire dancing. I saw it when I was a kid. My parents took me to the Black Sea, it was like a tourist attraction. I think it would be hard to find a Bulgarian who is not familiar with the image. I started reading about it, and I found out there are only two villages in Bulgaria were they still do it properly, where it's not for tourists, and they were both in the Strandja Mountains.
The joke of it all is that you are looking from your true nature right now without knowing it. If you would stop being fascinated with the contents of your mind, you would experience what I am saying. Feel your way into what I am saying rather than thinking about it. Only a self-concept looks and longs for God. Drop your self-concept and there is only God meeting God. Enlightenment is the restoration of cosmic humor.
I am not at all interested in theories about cinema. I am only interested in images and people and sound. I am really a very simple person.
One road to happiness is to cultivate curiosity about everything. Not only about people but about subjects, not only about the arts but about history and foreign customs. Not only about countries and cities, but about plants and animals. Not only about lichened rocks and curious markings on the bark of trees, but about stars and atoms. Not only about your friends but about that strange labyrinth we inhabit which we call ourselves. Then, if we do that, we will never suffer a moment's boredom.
I am interested only in "nonsense"; only in that which makes no practical sense. I am interested in life only in its absurd manifestations.
The only thing my famous last name got me was a foothold in the industry. That was the easy part. The biggest problem is survival. As Fazil's son, I am expected to know everything - acting, dancing, horse riding... I am not trained in all these, and I don't think I ever will be.
I began to fear that the Graham work was not in lots of ways sufficient for me. I suppose it came about from looking at other dancing and being involved with the ballet - something about the air and the way she thought about dancing.
I think all artists are only interested in a couple of themes, really. I'm primarily interested in change and connection as being this restorative force. I write about them because that's what I think about in my own life.
I am interested in the non-dramatic moments in life. I`m not at all attracted to making films that are about drama. A few years back, I saw a biopic about a famous American abstract expressionist artist. And you know what? It really horrified me.
I looked at the stained-glass image of the lamb in the window above me, but that only reminded me that lambs are famous for being led to slaughter, or sometimes hanging out with lions in ill-advised relationships.
To me it is no mystery that we can only photograph effectively what we are truly interested in or-maybe more importantly-are grappling with. Often unconsciously. Otherwise the photographs are merely about an idea or a concept-that stuff eventually falls flat for me-there must be something more, some emotional hook for it to really work for me.
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