A Quote by Sylvie Guillem

The first time I took a plane to dance in front of an audience outside France was when I was in the Paris Opera Ballet School, and we flew to Japan. — © Sylvie Guillem
The first time I took a plane to dance in front of an audience outside France was when I was in the Paris Opera Ballet School, and we flew to Japan.
I did grow up in France, and even though I didn't go to the school or dance with the Paris Opera Ballet, I absorbed similar ideas in my training. I understand the scale of a big company. I danced for one for almost 20 years.
One of the first things I created was music for the Paris opera's ballet troupe. That was the first time that electronic music was played at the opera. I really like the relationship between the music and the choreography.
I dreamt of becoming a ballet dancer. I studied with the Royal Academy of London for 11 years, and that did not pan out, but my love for being on stage was born there. And then, I actually went to drama school in Paris, France. That's where it first started.
When I was 16 I took the first opportunity I had to play basketball in a different country. I flew to Europe for the first time and found myself in the small town of Macon, in France. That was the first time I lived far away from my people, from my culture. I was young and had to adapt quickly.
Cricket is first and foremost a dramatic spectacle. It belongs with theatre, ballet, opera and the dance.
The problems I had with the Paris Opera Ballet are a thing of the past.
In that first national election after 9/11 in France, Jean-Marine Le Pen did not win the presidency, but he did get to the final round. He was in the general election. Now, this week, in the first national elections in France after what many people have been calling the French 9/11, the attacks in Paris three weeks ago, this time it`s Jean-Marie Le Pen`s daughter, Marine Le Pen and the National Front, which is still a far right pseudo- fascistic party, they came in first place in France.
At the Paris Opera Ballet, they were always making choices for me.
We moved from the suburbs to L.A. and I picked up break dancing when I was 10. I joined a dance crew in high school and I was battling. I also took ballet most of my life until high school.
I have learned a great deal from the theatrical side of Covent Garden. The Paris Opera Ballet is more concerned with technique. It's perfect. It's beautiful. It's well done. But it lacks the theatrical tradition that is so important in England. At the Royal Ballet, absolutely everyone on stage seems to be caught up in the plot.
When I was 8, I began to study ballet. In seventh grade, my mother took me into New York to study at the School of American Ballet. I loved ballet - its precision, the escape from uncertainty, and the music.
Fonteyn was our first proper British ballerina, and from the moment I started dancing, her image engulfed me. In my first year at the Royal Ballet School, Margot's statue was outside my dormitory. Like generations of budding ballet dancers before me, I used to touch her middle finger for luck.
I'd been influenced by reading books on art and colonies that existed in Paris and places like that and so when I came to Europe I came to France and I had very little money, and I had to live low and stayed in a bohemian section of Paris with a lot of other students, who were from medical school, science school and art school. We all lived in a kind of communal way and I was challenged politically, because I didn't have a clue and they would ask me questions about the Algerian War, which was very big in France in the late '50s.
My mom was a dance teacher, so she put me in dance school when I was a kid. I did everything. I used to take ballet.
Okay, I'm going to let you in on a little secret: I'm a very superstitious person. I'm walking onto the plane as we speak. I'm putting my hands on the outside of the plane and my feet are on the lip of the plane. I have to do it every time before I fly.
My first flight was to Majorca as a 17-year-old and I went to Seattle to visit a friend after that. But the first time I really ventured out abroad to Canada and Japan as well as to Europe, to France, Spain, Italy, Germany and the Netherlands, was to promote my first album.
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