A Quote by Sylvie Guillem

I was not happy with myself as a human being when I was very young - I was afraid of people; I was afraid of talking, I didn't know how to express myself other than by being on stage.
I'm not afraid to live. I'm not afraid to fail. I'm not afraid to succeed. I'm not afraid to fall in love. I'm not afraid to be alone. I'm just afraid I might have to stop talking about myself for five minutes.
When I was younger, many of my romantic escapades were just a means of simply avoiding being by myself. I was afraid of feeling lonely, afraid I wouldn't know what to say to myself.
We're just afraid, period. Our fear is free-floating. We're afraid this isn't the right relationship or we're afraid it is. We're afraid they won't like us or we're afraid they will. We're afraid of failure or we're afraid of success. We're afraid of dying young or we're afraid of growing old. We're more afraid of life than we are of death.
I was being very bad because I didn't know how to express myself. Music gave me an outlet to express myself and channel that anger.
if I could tell my very-younger self something, I would tell him to let loose more often. I think it all roots in sexuality, but because of that, I became so worried about everything — worried about what people thought. I was afraid to be creative and charismatic and eccentric. Just to do things to do things, like dancing. I was afraid of looking too flamboyant or something. I would tell myself to stop being so stressed about what other people are thinking. Stop being so afraid that something may not come off the right way.
When you're making records, you develop, and so you hear the things you want to move away from. It stings a little, but you know, you gotta own it too. You've got to just go, "You know, I wasn't afraid to learn in front of people, so I give myself a little credit for not being afraid of anything."
I feel like, in the Czars, for example, I was afraid. I couldn't express myself. I didn't have a connection to myself. That's one of the huge reasons why it was such a difficult existence. I put a lot of that on myself. I couldn't access myself. I couldn't look at myself, because I was too ashamed.
I'm afraid of being lazy and complacent. I'm afraid of taking myself too seriously.
My recipe for life is not being afraid of myself, afraid of what I think or of my opinions.
I'm afraid of time... I mean, I'm afraid of not having enough time. Not enough time to understand people, how they really are, or to be understood myself. I'm afraid of the quick judgements or mistakes everybody makes. You can't fix them without time. I'm afraid of seeing snapshots, not movies.
I got this idea about being afraid to let go of something and being afraid of sinking into a state of almost anesthesia, where you have to trust other people. Just the paranoia of it all. And it seemed to suit the frenetic track. So I just wrote it out and, you know, said it.
There was a time when Istanbul was one of the safest cities in the world, because people were afraid of the police. People are no longer as afraid of the police as they used to be. Mugging used to be almost unknown; now everybody is afraid of mugging. In that sense, the downside of liberalization is already being felt in Turkey. And of course some people are afraid of Kurdish ethno-terrorism, which worries Turks very much more than the religious sort.
It's important for me to try to find new ways to express myself, but at the same time, have integrity, and still be me, and not lose myself in the midst of this crazy Rap that I'm in. It's important, it's critical, to just try things out. I think, mainly, it's just me being fearless, and not being afraid to conquer anything that comes in my path, I guess.
O public road, I say back I am not afraid to leave you, yet I love you, you express me better than I can express myself.
It is really very important while you are young to live in an environment in which there is no fear. Most of us, as we grow older, become frightened; we are afraid of living, afraid of losing a job, afraid of tradition, afraid of what the neighbours, or what the wife or husband would say, afraid of death.
Having limits to push against is how you find out what you can do. I have always been full of contradictions. I am shy but I love the freedom of the stage. I need reassurance but at the same time I don’t want it. I hate being afraid but I can’t help wanting to frighten myself. That is how you grow.
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