A Quote by Synyster Gates
We're more about other things over odd timings: orchestration, composition, horn/vocal arrangements - that's where we get super weird.
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If you're talking about musically, I think I understand just a little bit more about things that were mostly intuited back then - how certain timings and tones work, so I can be a little more analytical about things now.
Sometimes you can be one of the best, but you don't accept that if you don't get the ring or win the Super Bowl. There's a lot of good teams between the Super Bowl winner and other teams. Once the Super Bowl is over, we lump everyone into the other 31, and that's not fair.
I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth.
Other presidents behind the scenes mutter epithets about the media. Donald Trump calls us the lowest form of human life to our face. Other presidents tried their best to go around the media that they don't think are expressing their views. President Trump just is - is just very, very vocal about that and much more - spends much more time being vocal about that.
Good composition is like a suspension bridge; each line adds strength and takes none away... Making lines run into each other is not composition. There must be motive for the connection. Get the art of controlling the observer – that is composition.
As far as arrangements after the basic track is cut, if I'm writing a horn arrangement or playing strings, I might arrange that, plan that out. Other times, I'll just sit and roll tape.
One of things about beards is that, when men reach a certain age, they'd like to see if they can grow one. It's a phenomenon I understand very well. After you get over the itchy face, you go, "Oh, I don't have to shave, that's cool." And then you move into the philosophical thing- people say, "You look weird, you have a beard." And you say, "No, actually, it's weird to shave." Having a beard is natural. When you think about it, shaving it off is quite weird.
It's important to be vocal, and to be fair, I've always had that in me, to be honest. One of the things my dad has always said to me is make sure you're vocal, and before the game, I always get a text off him telling me to do the things well and again, 'Be vocal, Dec.'
Harmonies come really naturally to me. I don't have to labor too hard over them. I'll sing a lead vocal, and then I will immediately have all of these other ideas for vocal harmonies. I think that some of the most fun parts of recording, for me, are the vocal harmonies.
The biggest misconception is that I only write about shitty people. Or that I'm trying to be shocking. I just think people are super weird, so I like to write characters that get addicted to things, lose their minds, hurt others, put themselves in bad situations. I'm just more interested in that.
Man is a little germ that lives on an unimportant rock ball that revolves about a small star at the outskirts of an ordinary galaxy. ... I am absolutely amazed to discover myself on this rock ball rotating around a spherical fire. It's a very odd situation. And the more I look at things I cannot get rid of the feeling that existence is quite weird.
I think what's interesting about Alice Munro, too, is the extreme mundanity of things. And how even a life reduced to complete mundanity, like capitalism taking over rural Ontario or whatever, has complete sway over aspects of life. Nevertheless, people still have these moments of weird desperation, weird longing, weird true love, or weird, powerful lust, and that was a major inspiration for me, too.
To apply poetic license or to apply incorrect arrangements requires the idea or the understanding of correct arrangements - becoming an expert of the conventions of correct arrangements in order to misplace them. In other words, misplacing things with the understanding, or even the mastery, of normalcy is actually quite poetic. These are rule-based operations.
I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on.
It's a weird thing where, especially in jazz, you have to totally mention cutting sessions and people one-upping each other and people being super, super tough on each other. And out of it emerge these genius musicians.
Atlanta is very weird, because it's a super-black town, but at the same time, there's other cultures there, there's history there. There's all these things that make it unique.
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