A Quote by SZA

I want people to get out of that nasty habit of needing a label. Every genre for each song is different. — © SZA
I want people to get out of that nasty habit of needing a label. Every genre for each song is different.
I think what people get confused about is that they want to label me as this EDM girl, but a lot of this stuff is genre-less.
Getting to do different genres of movies means you're gonna have different types of situations. So I want to try and do every type of genre there is out there.
If I found out some gal was trying to steal my guy, I'd want to give her a black eye! Instead, I wrote this song. At the time I was writing each song [on this album], you could figure out the frame of mind I was in by listening closely. With every song I've ever recorded, I'm in it. I wouldn't write about it if I wasn't in it.
When people have light in themselves, it will shine out from them. Then we get to know each other as we walk together in the darkness, without needing to pass our hands over each other's faces, or to intrude into each other's hearts.
My dad used to get to the nastiest letters. But somebody had to take the time to type it, stamp it, send it to him, send it to the radio station. And I mean nasty stuff. It's not like nasty people with nasty opinions just popped up out of nowhere.
For us, being a label, we took out the whole aspect of the business that goes into sifting through people who don't care, who don't get what you're trying to do. We can just hire and work with people who get it - the people who understand what this project is about. When you're on a label, you're just hoping somebody will stick their neck out and work for you. Most bands are just like, "I hope they do it. I hope they promote it." But being a label, we know exactly what's happening.
I know it's dangerous to say you want to do something different with a genre because people always take that as an insult to the genre.
I want to see more young filmmakers, and specifically filmmakers who have a unique voice. I wouldn't mind seeing less of the attempt to force-feed people what others think they want, if that makes sense - whatever the formula is that some people seem to operate under, like needing a certain star, or needing a certain thing in order to get a piece made.
I get very frustrated by this term 'genre exercise.' I mean, what exactly is that? Genre is not really relevant when you are writing a song; hopefully you are doing it to explore something, to create something, and I don't agree that any of my albums are genre exercises.
When we first moved to Scarborough, there was one Sri Lankan grocery store - now there's a take-out on every corner, each with some specialty or another. You can get what you want the way you want it, and that's very different from the way it used to be.
It's not that I don't want to, it's just that there's no money in it. By that I mean the way the video business works now, the artist and the record label send out a song to a bunch of different directors and say, 'What would you do with this?' Then everyone has to come up with an idea and bid on it. For me, it's like, 'Hey, you want me to do it? Then pay me. I'm not auditioning for you.'
I think every time I play, every show is different, and I think that at a certain point a song isn't about you anymore. It's about the audience, it's about how the song has worked its way into other people's lives and that kind of keeps the meaning of the song new, because you see it reflected in other people every night.
My father once said there's a correlation between a nation's cuisine and its people: England, nice people, nasty food; France, nice food, nasty people; Spain, nice people, nasty food; Italy, nice people, nice food; and Germany, nasty food, nasty people. And I've always thought that there must be something terribly wrong with the German character - and that there is, really.
Each song has its own secret that's different from another song, and each has its own life. Sometimes it has to be teased out, whereas other times it might come fast. There are no laws about songwriting or producing. It depends on what you're doing, not just who you're doing.
Well every moment, every project is different. I took a very slow approach to acting, trying to really work with people I could learn from. And I got something different out of each experience.
It's good to do things that are out of the norm. I'm a creature of habit and I like to stay in my own little comfort zone, but you have to reach out of that sometimes. And when you do that, you grow. And growth is what we all need and what we all strive for because we want to get better and better and better each day. And that's one of the things that I say to myself as far as a ritual that I have every day: "What can I do today to make it better than it was yesterday?"
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