A Quote by T Bone Burnett

I love loud music. I listen loud, and that's part of how I've learned how to do this. Record softly and play back loud and a whole other thing happens. — © T Bone Burnett
I love loud music. I listen loud, and that's part of how I've learned how to do this. Record softly and play back loud and a whole other thing happens.
People say I play real loud. I don't, actually. I'm recorded loud and a lot of that is because we have good engineers. Mick knows what a good drum sound is as well, so that's part of the illusion really. I can't play loud.
I got a man cave. I play my music loud. I bought big speakers because I need to hear music loud.
With the exception of maybe Vegas or Miami once or twice, other than that, it's all the same to me. I can't hear anything in the club with the loud music, so you're in there, and you're like, 'I can't hear you because of the loud music.' I hate that, yelling back and forth. And I don't drink, so it's kind of pointless.
I'm most inspired by people who are doing what they love in a big, loud way. And big and loud doesn't always have to be big and loud. Sometimes these people can appear as a quiet storm, but in their full expression everyone feels the impact.
I might play characters that are loud in the movies, but in real life, I'm not loud in terms of personality.
Sound should bring you in. We have people in all these specialized departments to make it one whole. They are supposed to work together to bring us into their world, not push us away. For example, rock music has to be loud, but it doesn't have to be too loud.
It seems to me that most people are impressed with just three things: how fast you can play, how high you can play, and how loud you can play.
When I plug in my guitar and play it really loud, loud enough to deafen most people, that's my shot of adrenaline, and there's nothing like it. That's what it's always been for me - to be the flame the tribe dances around.
I was, like, a kooky kid, so people thought I was loud, but I really wasn't. I was kind of loud in outbursts. I was like a silent volcano. When I did have something to share, it was very over-the-top. But I've learned to balance that.
The best sounds a kid will get is in a movie theater, with huge speakers, turned up loud. I always mix my music really loud. I don't care if you don't hear all the dialogue. The audience are not idiots.
I think that the line between television and features started to blur a couple years ago. The standards started to become the same, which is that the idea had to be very loud. The show didn't have to be loud; the idea had to be loud. It had to cut through the clutter.
It was loud in spots and less loud in other spots, and it had that quality which I have noticed in all violin solos of seeming to last much longer than it actually did.
Going to any loud place is terrible for me. I'm bad at loud restaurants.
Loud-dressing men and women have also loud characters.
KeyArena was rocking, loud. The Finals in '96, I thought that was loud.
I start from experience and read. . .always between polarities - loud and not-loud, young and old, spring and winter. If I can make black and white behave together instead of shooting at each other only, I feel proud.
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