A Quote by T. C. Boyle
I am mad for nature writing. I want to get inside the head of every creature in the world, even ants.
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Every living creature is the son of the supreme Lord, and He does not tolerate even ants being killed
Exaggeration is in the course of things. Nature sends no creature, no man into the world, without adding a small excess of his proper quality. Given the planet, it is still necessary to add the impulse; so, to every creature nature added a little violence of direction in its proper path, a shove to put it on its way; in every instance, a slight generosity, a drop too much.
Possibly he knew, as he wrote this, that he was mad - because inside every madman sits a little sane man saying 'You're mad, you're mad.'
It's better to keep grief inside. Grief inside works like bees or ants, building curious and perfect structures, complicating you. Grief outside means you want something from someone, and chances are good you won't get it.
Get inside her head. Get inside any character's head and ask what they want in this scene. And if you work from the perspective of what they want, there's not going to be any wrong answer. There's going to be some boring answers, but none of them are going to be wrong. As long as she has agency, then you're on the right track.
I am a super-confident writer, and as a joke writer and as an actress, I'm like, 'I want to go head-to-head with every person.' I am an Indian woman and I'm a kind of double minority in this world.
The iron rule of nature is: you get what you reward for.
If you want ants to come, you put sugar on the floor.
There's a flame of magic inside every stone & every flower, every bird that sings & every frog that croaks. There's magic in the trees & the hills & the river & the rocks, in the sea & the stars & the wind, a deep, wild magic that's as old as the world itself. It's in you too, my darling girl, and in me, and in every living creature, be it ever so small. Even the dirt I'm sweeping up now is stardust. In fact, all of us are made from the stuff of stars.
We grew up creating this whole world view for ourselves because it's not there in the culture. What am I? And I have to build this world view in the absence of books, radio and television, anything, even conversation, Mom or Dad or brother or sister or friends. I have to build a world view of who I am or I go stark, raving mad. Every transsexual in the past has had to do this.
When I was a kid I got mad enough to want to kill somebody but as you travel the world and I'm struggling with a freedom fight against nations, you can't get enough hate in you to be mad at one man just because it's a boxing match. Never. Even Floyd Paterson, who condemned my Islamic religion and didn't want to call me Muhammad Ali and said I should've gone to the army and I should be in jail.
When you're writing you're constantly fighting demons to sit down and do what you do. If you listen to the voices outside your head, in addition to the ones inside your head, you'll never get anything done. There's enough inner strife.
When I am writing, even though it's hard and I do struggle often, I am happier than when I'm not writing. I feel alive. Whereas when I'm not writing, I feel like your common every-day neurotic.
I just want some time, Mikhail, to think things through. It’s frightening, the way I am about you. I think about you every minute; I want to touch you, just to know I can, to feel you beneath my fingers. It’s as if you crawled into my head and my heart, even my body, and I can’t get you out.
I know my head isn't screwed on straight. I want to leave, transfer, warp myself to another galaxy. I want to confess everything, hand over the guilt and mistake and anger to someone else. There is a beast in my gut, I can hear it scraping away at the inside of my ribs. Even if I dump the memory, it will stay with me, staining me. My closest is a good thing, a quiet place that helps me hold these thoughts inside my head where no one can hear them.
I want each character to be as unique as possible. I want them to reflect something of who they are in the way that they move and in how their bodies work. That was foremost in my head when I was writing Salvage: I wanted every gesture, every little movement, to really carry meaning and communicate meaning to the reader. I was very conscious of that when I was writing.
My writing process is consecutive, like, 'mad scientist' crazy. It's not totally writing something that rhymes or even writing a rap necessarily. Sometimes it's just writing down stuff that I'm going through.
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