A Quote by T. D. Jakes

I probably take a pretty traditional view about hell. I'm not very contemporary in terms of that. — © T. D. Jakes
I probably take a pretty traditional view about hell. I'm not very contemporary in terms of that.
There is no longer a Christian mind ... the modern Christian has succumbed to secularization. He accepts religion - its morality, its worship, its spiritual culture; but he rejects the religious view of life, the view which sets all earthly issues within the context of the eternal, the view which relates all human problems social, political, cultural to the doctrinal foundations of the Christian Faith, the view which sees all things here below in terms of God's supremacy and earth's transitoriness, in terms of Heaven and Hell.
I think what has been the ultimate challenge for me is being willing to be honest with myself about what works for me in terms of relationships and sexual relations. In that sense, I was pretty traditional and pretty buttoned down.
My views about hell are very traditional.
History is contemporary. Your understanding of history confirms what you think of the present. It's not neutral. I would be very surprised if people with a different view of the present, don't take issue with my view of the past. I just hope that people deal with the content of the film.
I think we're in store for a presidency [of Donald Trump] even more unlike any that people have been imagining. I think it's gonna be tough to predict this and to analyze it, certainly in contemporary, traditional terms.
My world view is that it can all go to hell in an instant, and you have to be ready for it. That's pretty much the central theme running through my work. It's about people's awareness of how uncertain life can be and their trying to guard against that.
In terms of morality, we can be very narrowly focused. So convinced of our point of view and righteousness, and it just doesn't allow for circumstance or other people's points of view. It's very comforting because you don't have to self-reflect, you just are. There's a strain of that in American culture.
I'm a very traditional person. The tattoos are about my grandmother dying and they tell the story about my mother and father, my brothers and my sister, my kids. It's pretty much a family tree on my arm with my life in football too.
So there's a lot of people tied into believing that the traditional response to the authorship question. In terms of actors, some people get very angry about it.
I was very fortunate to have a coach when I was young who taught me all the traditional shots and taught me a pretty traditional game style, in a way.
I knew very little about Rugby. But, I think it helps in terms of an American audience the game is enough like football in that it's a battle for field position and you score by running into what looks a lot like an end zone. I think in terms the nuance of the game, Americans won't get that stuff. I think in terms of the peanut butter and jelly version of what you need to know, I think it's pretty clear.
I have a traditional view of the afterlife... heaven, hell and judgments. But the accounts of those places are scant, and I believe it's on purpose. We aren't supposed to try to figure out the architecture of the afterlife, since the big game is here in this life.
I'm not entirely sure what a historical novel absolutely has to be, but you don't want a reader who loves a very traditional historical novel to go in with the expectation that this is going to deliver the same kind of reading experience. I think what's contemporary about my book has something to do with how condensed things are.
I had the traditional print view of TV journalists: Those are pretty people who get paid a lot of money and don't do any work. It turned out I was wrong.
When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.
I think I have quite traditional views on original sin, grace, and the real but difficult nature of we humans being able to learn something true about being human that we didn't know before. And yet the consequences of this traditional view are really quite radical.
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