A Quote by T. E. Lawrence

He feared his maturity as it grew upon him with its ripe thought, its skill, its finished art; yet which lacked the poetry of boyhood to make living a full end of life. — © T. E. Lawrence
He feared his maturity as it grew upon him with its ripe thought, its skill, its finished art; yet which lacked the poetry of boyhood to make living a full end of life.
An intelligent man, a man who has a little meditative consciousness, can make his life a beautiful piece of art, can make it so full of love and full of music and full of poetry and full of dance that there are no limitations for it. Life is not hard. It is man's stupidity that makes it hard.
He who without the Muse's madness in his soul comes knocking at the door of poesy and thinks that art will make him anything fit to be called a poet, finds that the poetry which he indites in his sober senses is beaten hollow by the poetry of madmen.
The pitch to which he was aroused was tremendous. All the fighting blood of his breed was up in him and surging through him. This was living., though he did not know it. He was realizing his own meaning in the world; he was doing that for which he was made.... He was justifying his existence, than which life can do no greater; for life achieves its summit when it does to the uttermost that which it was equipped to do.
All things that are living are expression and therefore part of the inherent symbology of life. Art, therefore, that is encumbered with excessive symbolism is extraneous, and from my point of view, useless art. Anyone who understands life needs no handbook of poetry or philosophy to tell him what it is.
There are moments when a rope's end, a pole, the branch of the tree, is life itself, and it is a frightful thing to see a living being lose his hold upon it, and fall like a ripe fruit.
I had a mind inquiring enough to question world events, as well as the passion fostered by my background to care, but I lacked the emotional maturity to process these things. That made me ripe for Islamist recruitment. Into this ferment came my recruiter, himself straight out of a London medical college.
And so take away his work, which was his life [. . .] and all his glory and his great deeds? Make a child and a dotard of him? Keep him to myself at that cost? Make him so mine that he was no longer his?
I believe you can train yourself to become a positive thinker, but you must cultivate a desire to develop the skill of setting personal worthy and realistic goals. I am so thoroughly convinced that if we don’t set goals in our life and learn how to master the technique of living to reach our goals, we can reach a ripe old age and look back on our life only to see that we reached but a small part of our full potential. When you learn to master the principle of setting a goal, you will then be able to make a great difference in the results you attain in this life.
We recognise in the finished art, which is the result of these conditions, the best words in the best order - poetry; and to put this essential poetry into different classes is impossible.
The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.
The poet needs a ground in popular tradition on which he may work, and which, again, may restrain his art within the due temperance. It holds him to the people, supplies a foundation for his edifice; and, in furnishing so much work done to his hand, leaves him at leisure, and in full strength for the audacities of his imagination.
To give a man his life but deny him his liberty, is to take from him all that makes his life worth living. To give him his liberty but take from him the property which is the fruit and badge of his liberty, is to still leave him a slave.
I watch mainly fiction. The films I like watching are films where you see people change, like with Boyhood. You see a moment in someone's life where it's a breakthrough. For me, the breakthrough in Boyhood is that amazing moment right at the end when he finds somebody he can feel relaxed with, and who will maybe be a friend for the rest of his life. I like that it doesn't end in a love affair or marriage. It just ends in, "Wow, I found people I can relate to for the first people in my life. These people accept me, I like them."
Poetry relishes ripe fruit - but ripe is one thing and overripe quite another. That's something poetry doesn't like, so it couldn't care less if I were to fall overripe to the ground.
Every work of art reaches man in his inner powers. It reaches him more profoundly and insidiously than any rational proposition, either cogent demonstration or sophistry. For it strikes him with two terrible weapons, Intuition and Beauty, and at the single root in him of all his energies... Art and Poetry awaken the dreams of man, and his longings, and reveal to him some of the abysses he has in himself.
However baby man may brag of his science and skill, and however much, in a flattering future, that science and skill may augment; yet for ever and for ever, to the crack of doom, the sea will insult and murder him, and pulverize the stateliest, stiffest frigate he can make; nevertheless, by the continual repetition of these very impressions, man has lost that sense of the full awfulness of the sea which aboriginally belongs to it.
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