A Quote by T. J. Miller

It is good to connect to someone who reminds you that you have some real authenticity. — © T. J. Miller
It is good to connect to someone who reminds you that you have some real authenticity.
I guess I'm attracted to people who are singing about love or life, and they have a particular passion that I can connect with. There are people I can tell are amazing, but I can't connect for some reason. It doesn't really make sense why you connect with someone or you don't.
To write a good song, an artist has to drawn from reality. There has to be some spark from realism that communicates a real feeling to someone else. You have to be real. Or you have to be a really good storyteller.
If there's one theme in all my work, it's about authenticity and self-expression. It's the idea that some things are, in some real sense, really you - or express what you and others aren't.
Many roads open pathways to authenticity. For some it is disciplined practice, for others revelation, for others service. Regardless of how we get in touch with authenticity or how authenticity gets in touch with us, the engagement is ongoing and forever challenging.
My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
I've got an odd, negative bond with C. Montgomery Burns. He reminds a lot of people of bosses they've worked for. He certainly reminds me of someone I'm working for.
In acting class they tell you that you have to be real, connect with the people, connect with your partner. The same as politics, you have to connect to the people.
I feel like in order for something to connect to an audience there needs to be a form of authenticity.
You can never connect on a deeper level if you idolise someone - you don't see the real person.
I've always thought that the key to a good sex life is variety. That's why God gave me two hands. Humans love sex, we need sex, it's how we connect, it reminds us we're alive, it's the third most basic human need, after food and good movie popcorn.
Humans love sex, we need sex, it's how we connect, it reminds us we're alive, it's the third most basic human need, after food and good movie popcorn.
I love the box that such a decision puts you in, and I love the interest the reader has in seeing how you negotiate that box: that seemingly hugely narrowed set of options. I also like the way in which it reminds us that we connect to the real world. That our relationship to the world matters.
As a fan, I connect with realness. Whether it's strong or vulnerable, if it's real, I can connect with it.
You know I think so many of us live outside our bodies. My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.
There's this thing about authenticity when you rap, right? Whether or not it's real, it has to feel real.
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