A Quote by T. J. Miller

I don't really know how to act that much. I'm quite good at comedy, but it's mostly acting naturally. — © T. J. Miller
I don't really know how to act that much. I'm quite good at comedy, but it's mostly acting naturally.
I was 26 when I went to my first acting class. I'm naturally quite shy. I'm a quite private person. There's this really strange acting class in New York called Black Nexxus. For someone who's slightly shy or self-conscious, it's the most frightening thing you can do.
I think that comedy really tells you how it is. The other thing about comedy is that - you don't even know if you're failing in drama, but you do know when you're failing in comedy. When you go to a comedy and you don't hear anybody laughing, you know that you've failed.
It took me a good eight to ten years to really formulate what I was doing onstage and start to get really personal with comedy. I always really had timing naturally, it was just about trying to figure out how that timing was going to work onstage.
Honestly, dialogue is a weird area for me. It just comes naturally; I know I'm quite good at it, but I can't actually tell you why or how in any detail.
Ironically, there isn't much comedy film in Britain, which is quite surprising seeing that we're quite good at it.
It takes nearly as much ability to know how to profit by good advice as to know how to act for one's self.
?? know how to profit by good advice, requires nearly as much ability as to know how to act for one'self.
I will do plays as long as they're interested in having me do them. It's the biggest opportunity to learn the most about how to act. Something I discover every time I'm doing one is how little I know about acting - how important the art of listening is, and how important it is to listen with your entire body. You can tell so much of a story with stillness, and a lot of that can be from really actively listening to your scene partner.
I'm no good at anything but comedy, which I think I'm good at. I'm absolutely no good at networking; I'm terrible at acting; I'm terrible at dealing with executives; I'm terrible at collaborating. And I say whatever I want to say. But I think I'm good enough at comedy that I can survive. And I don't really have an ambition for money.
Comedy's my first love. I love that so much. You play comedy in drama, too. The difference between genres doesn't really change the method of acting.
Acting is mostly about listening. If you just focus in on what the other person is saying, acting takes care of itself to quite a large extent.
The worst of having so much tact was that you never quite knew whether other people were acting naturally or being tactful too. [The human element]
It's very hard to find a good comedy. I prefer doing comedy far over anything else because I think they're actually more profound. But finding a good one and a great ensemble is very difficult to do and I'm delighted that in these particular times there is so much interest in comedy and that comedy is having so much success.
I mean these people who work on Broadway, in my opinion, are the most gifted of everyone. I mean they really know how to dance. They really know how to act. They really know how to sing. They know how to perform.
I acted in high school and studied at the British American Drama Academy in Oxford for one summer. I minored in theater, and I was always acting growing up and stuff, but really, I was just more interested in the comedy of it all. So for me, it's always comedy, and then acting is just one medium of comedy.
I've been spending quite a bit of time writing, acting, and making films. Because I'm doing all this extra writing, acting, and creating short comedy skits with my friends in improv shows, I feel like that's really filled out my confidence on the mic.
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