A Quote by T. J. Miller

My father always said I have a face for radio, and 'Cloverfield' was one of my finest pieces of work. — © T. J. Miller
My father always said I have a face for radio, and 'Cloverfield' was one of my finest pieces of work.
It's quiet. No cars. No birds. Nothing.' 'No radio waves,' said the Doctor. 'Not even Radio Four.' 'You can hear radio waves?' 'Of course not. Nobody can hear radio waves,' he said unconvincingly.
My father being a Caribbean minister, one day I stole the radio. The radio that I stole, I took it to school, showing off how big this boom box was and how bad I was at the time. Once my father figured out where I left the radio, he then got his belt and he walked me, he beat me all the way to where I had hid the radio, and with the boom box.
The nicest constitutions of government are often like the finest pieces of clock-work, which, depending on so many motions, are therefore more subject to be out of order.
I hear poets complaining: 'We face what our forebears did not face. We face TV. We face radio. We face this and that.'
In the water I saw my father's face, and that face saw the face of its father, and so on, and so on, reflecting backward to the beginning of time, to the face of God, in whose image we were created.
My father said that love at first sight should send you running, if you know what's good for you. It's your dark pieces having instant recognition with their dark pieces, he says. You're an idiot if you think it means you've met your soul mate. So I was an idiot.
Somebody once said I had a face for radio and a voice for newspapers.
I feel very protective in the first draft, when all the pieces are coming together. I work in a way that is not linear or chronological at all, even with the short story. I will just be writing bits and pieces, and then when I have all the pieces on the table, that for me is when it feels like the real work begins.
I don't like to sell my finest pieces.
I've always known that my father's father and grandfather and grandmother were from Mexico. I've never denied it. I've always said it.
I'd always fought against presenting radio really, because my father was a radio DJ in Australia. He's just recently retired. And I kind of didn't want to follow in his footsteps. But I suppose, as we all find as we become older, to some extent we do all become our parents.
I have so many pieces that once belonged to my mom and both of my grandmothers. All of these pieces are very sentimental, and I love to wear them. I also have many pieces from my father that I probably cherish the most. I love wearing his dress shirts.
I always like to borrow bits and pieces of things. There's a line between jumping on something that's happening and incorporating bits and pieces of it into my work.
My father always wanted to be 'Col-bear.' He lived in the same town as his father, and his father didn't like the idea of the name with the French pronunciation. So my father said to us, 'Do what you want. You're not going to offend anybody.' And he was dead long before I made my decision.
Don't drop him," said Peter's mother to his father. "Don't you dare drop him." She was laughing. "I will not," said his father. "I could not." For he is Peter Augustus Duchene, and he will always return to me. Again and again, Peter's father threw him up in the air. Again and again, Peter felt himself suspended in nothingness for a moment, just a moment, and then he was pulled back, returned to the sweetness of the earth and the warmth of his father's waiting arms. "See?" said his father to his mother. "Do you see how he always comes back to me?
My father said to me at one time, 'If you are still a disc jockey by the time you are 30, you better find another line of work.' Little does he realize, I am in my 70s, and I still do seven or eight hours of radio every day - or every week.
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