A Quote by T. J. Miller

I think the physical comedy in action sequences is fantastic. Like, '21 Jump Street' did a great job with that. — © T. J. Miller
I think the physical comedy in action sequences is fantastic. Like, '21 Jump Street' did a great job with that.
When I did '21 Jump Street,' I felt like I was a part of something great, but on a very large scale. Working with people that genuinely want to make good art or good work or a good film, that's what keeps me going.
I'd love to do a really juicy drama that's just really real. On the comedy side, I'd love to do something like '21 Jump Street.' I cannot stop watching that movie. Really funny, really extreme comedies are definitely my favorite.
'21 Jump Street' is great. I just made that, and produced it and was a writer on it. It's starring myself and Channing Tatum, and maybe some surprise guests.
21 Jump Street is great. I just made that, and produced it and was a writer on it. It's starring myself and Channing Tatum, and maybe some surprise guests.
Even with some of the best action films like 'The Bourne Ultimatum,' which is a great action film with a great chase sequence, so much of it is computer-generated. But that doesn't bother me. I think it works. It's fantastic.
I think Unai did a great job and was a great leader, and a fantastic coach.
I still don't understand why the tag of 'action hero' follows me. My films have all these elements - romance, action and comedy. None of the fight sequences of my character is an act of randomness. There's a reason to action in my films.
I was an extra on 21 Jump Street when I was 19 years old.
When we were trying to find the woman to play Maura Isles, it was a no-brainer when Sasha came in. We just knew it was her, and she did such a fantastic job. She got the job, right then and there, in the room, and it was great. We actually played a little joke on her. She's a great lady and we've had a really, really fantastic time.
Something that 'Game of Thrones' always does successfully is that action sequences are never just action sequences. There's always a point of view, and you're always identifying with one person or one group of people.
I used to work at Sirius. And when I got my job at Sirius, I was only 21. It was my first job out of college. And when I think back to what 21 was, though, you're an idiot.
Here's my take, for what it's worth: I think that a lot of people in the US, as well as other countries, have the idea that animation is primarily for children, and kids like to be entertained! And animated films here tend to have crazy fantastic situations that would be difficult to do in live action, like with talking animals or monsters or whatnot, and that lends itself well to comedy, I think.
I have great artistry, I can spin well, I have good footwork, and I can jump. I can do the quad jump, and I've done it multiple times in competition. It's definitely a jump that I have in my arsenal. I like to think of myself as the complete skater.
It bothers me when people say 'shock comic' or 'gross-out' because that was only one type of comedy I did. There was prank comedy. Man-on-the-street-reaction comedy. Visually surreal comedy. But you do something shocking, and that becomes your label.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
I've done a bit of live action before but the fight sequences, the wire work and the physical regime were taken to another level [ in Doctor Strange].
This site uses cookies to ensure you get the best experience. More info...
Got it!